. . and then they fall to daunce about it like as the heathen people did. . . . I have heard it credibly reported (and that _viva voce_) by men of great grauitie and reputation, that of fortie, threescore or a hundred maides going to the wood ouer night, there haue scaresly the third part of them returned home againe undefiled. Herrick s _Hesperides_ also describes the festival, and the custom of courting and marriage at the same time. The tune sung to this game appears to be the same in every version. END OF VOL.
Many lightweights bowl well. Don’t get discouraged, you can learn. Any able-bodied person, with ordinary nerve and a good eye, can become quite expert with little practice. Don’t let an alley owner use pins that are worn out. Don’t think you can sandpaper a ball without injuring it. It takes an expert mechanic to true up a lignum-vitæ ball. Don’t lay a lignum-vitæ ball away DRY, if you don’t want it to crack. GENERAL LAWS, FOR ALL CARD GAMES. Very few games have their own code of laws, and only one or two of these have the stamp of any recognised authority. In minor games, questions are continually arising which could be easily settled if the players were familiar with a few general principles which are common to the laws of all games, and which might be considered as the basis of a general code of card laws.
Byford). Follow my Gable [Music] --Earls Heaton, Yorkshire. [Music] --Redhill, Surrey. I. Follow my gable oary man, Follow my gable oary man, I ll do all that ever I can To follow my gable oary man. We ll borrow a horse and steal a gig, And round the world we ll have a jig, And I ll do all that ever I can To follow my gable oary man. --Earls Heaton, Yorks (Herbert Hardy). II. Holy Gabriel, holy man, Rantum roarum reeden man, I ll do all as ever I can To follow my Gabriel, holy man.[3] --Redhill, Surrey (Miss G.
XIII. Trip trap over the grass, If you please, will you let one of your [eldest] daughters come, Come and dance with me? I will give you pots and pans, I will give you brass, I will give you anything For a pretty lass-- No! I will give you gold and silver, I will give you pearl, I will give you anything For a pretty girl. Take one, take one, the fairest you may see. The fairest one that I can see Is pretty [Nancy], come to me; You shall have a duck, my dear, And you shall have a drake, And you shall have a young man, Apprentice for your sake. If this young man should happen to die, And leave this poor woman a widow, The bells shall all ring and the birds shall all sing, And we ll clap hands together. --Halliwell s _Popular Nursery Rhymes_, cccxxxii. XIV. Will you take gold and silver, or will you take brass, Will you take anything for a pretty lass? No! we ll not take gold and silver, no! we ll not take brass; We ll not take anything for a pretty lass. Will you take the keys of school, or will you take brass? Will you take anything for a pretty lass? Yes! we ll take the keys of school; yes! we will take brass; We will take anything for a pretty lass. Come, my dear [Mary Anne], and give me your right hand, And you shall have a duck, my dear, You shall have a drake; You shall have a nice young man To fiddle for your sake.
In such case, if the second hand be void of the suit led, the declarer in lieu of any other penalty may call upon the second hand to play the highest card of any designated suit. If he name a suit of which the second hand is void, the penalty is paid.[17] 81. If any one, except dummy, omit playing to a trick, and such error be not corrected until he has played to the next, the adversaries or either of them may claim a new deal; should either decide that the deal stand, the surplus card (at the end of the hand) is considered played to the imperfect trick, but does not constitute a revoke therein.[18] 82. When any one, except dummy, plays two or more cards to the same trick and the mistake is not corrected, he is answerable for any consequent revokes he may make. When the error is detected during the play, the tricks may be counted face downward, to see if any contain more than four cards; should this be the case, the trick which contains a surplus card or cards may be examined and such card or cards restored to the original holder.[19] THE REVOKE.[20] 83. A revoke occurs when a player, other than dummy, holding one or more cards of the suit led, plays a card of a different suit.
Gomme). II. There lives a lady on the mountain, Who she is I do not know; All she wants is gold and silver, All she wants is a nice young man. Choose one, choose two, Choose the fairest of the few. Now you re married I wish you joy, Father and mother you must obey; Love one another like sister and brother, And pray, young couple, come kiss one another. --Colchester (Miss G. M. Frances). III. Here stands a lady on a mountain, Who she is I do not know; All she wants is gold and silver, All she wants is a nice young man.
| -- | | 10.| -- | | 11.| -- | | 12.| -- | | 13.|We will give you pots | | |and pans. | | 14.|....
XI. We re come to see Jenny Jones, Jenny Jones, Jenny Jones, Come to see Jenny Jones, how is she now? Jenny is a-washing, a-washing, a-washing, Jenny is a-washing, you can t see her now. Very well, ladies, very well, ladies, Very well, ladies, we can t see her now. [Then follow the same verses for-- (1) ironing, (2) badly, (3) dead; And the singing proceeds with--] Please, will white do, white do, white do? Please, will white do, please, will it do? White s for the weddingers, the weddingers, White s for the weddingers, that won t do. Please, will blue do, blue do, blue do? Please, will blue do, please will it do? [Then follow verses as before, beginning-- Blue s for the sailors, the sailors, the sailors. Please, will red do, red do? Red s for the soldiers. Then--] Please, will black do, black do, black do? Black s for the funeral, black will do. --Northamptonshire (Rev. W. D.
A player is not obliged to throw off a man if he prefers to move, but he must do one or the other. In the foregoing diagram, for instance, if Black threw three-ace, he would be very foolish to take off two men, leaving a blot on his three point. He should move the ace from his four to his three point, and then take off the three, leaving no blots. _=SUGGESTIONS FOR GOOD PLAY.=_ Always see that the men are properly set up. It would be a great help to many persons if the manufacturers of backgammon boards would print upon them a small diagram of the correct position of the men. The first thing for the beginner to learn is the proper manner of playing the opening throws, and this should be practised with a board and men. In some cases there are several ways to play the same throw; double fours, for instance, it is said cannot be played wrong. All possible throws of the dice, from double six to double ace, and the various ways of playing them, are shown in the diagrams. Black men only are moved, and those with white centres have been brought from the points marked with a small cross x.
A ring is formed by the children joining hands. They walk round singing the first four lines. They then dance round quickly and sit down suddenly, or touch the ground with their clothes. A version of this game from Liphook, Hants, almost identical in words, has been sent by Miss Fowler, and another from Crockham Hill, Kent, by Miss Chase. Here s a Soldier Here s a soldier left his lone [_qy._ alone], Wants a wife and can t get none. Merrily go round and choose your own, Choose a good one or else choose none; Choose the worst or choose the best, Or choose the very one you like best. What s your will, my dilcy dulcy officer? What s your will, my dilcy dulcy dee? My will is to marry, my dilcy dulcy officer; My will is to marry, my dilcy dulcy dee. Come marry one of us, my dilcy dulcy officer; Come marry one of us, my dilcy dulcy dee. You re all too old and ugly, my dilcy dulcy officer; You re all too old and ugly, my dilcy dulcy dee.
In cutting, the ace is the lowest card. All must cut from the same pack. If a player exposes more than one card, he must cut again. Drawing cards from the outspread pack may be resorted to in place of cutting. SHUFFLING. 8. Before every deal, the cards must be shuffled. When two packs are used, the dealer’s partner must collect and shuffle the cards for the ensuing deal and place them at his right hand. In all cases the dealer may shuffle last. In _=Boston=_ and in _=Cayenne=_, two packs must be used; and in Boston there must be no shuffling of either pack after the first deal.
_=Benefiting by Errors.=_ No player should be allowed to win a game by committing a breach of the laws. If a person revokes, for instance, there is a certain penalty, but in addition to the penalty it is always stipulated that the revoking player cannot win the game that hand. _=Double Penalties.=_ No person can be subjected to two penalties for one offence. If a player leads out of turn, and a suit is called, the card played in error cannot be also claimed as exposed and liable to be called. If a player revokes, and his adversary wins ten tricks, the revoke penalty adds three tricks to the ten already won; but these thirteen tricks will not entitle the player to score any points for a slam, because that would be exacting a double penalty; the tricks for the revoke, and the points for the slam. _=Intentional Error.=_ In all games it must be assumed that the player’s intentions are honest, and that any errors that arise are committed through inadvertence. Some of our law-makers have attempted so to adjust their codes as to provide against the manœuvres of the blackleg.
(_b_) If, during a deal, or during the play the pack be proved incorrect. (_c_) If, during a deal, any card be faced in the pack or exposed, on, above, or below the table. (_d_) If more than thirteen cards be dealt to any player.[6] (_e_) If the last card does not come in its regular order to the dealer. (_f_) If the dealer omit having the pack cut, deal out of turn or with the adversaries’ cards, and either adversary call attention to the fact before the end of the deal and before looking at any of his cards. 38. Should a correction of any offence mentioned in 37 _f_ not be made in time, or should an adversary who has looked at any of his cards be the first to call attention to the error, the deal stands, and the game proceeds as if the deal had been correct, the player to the left dealing the next. When the deal has been with the wrong cards, the next dealer may take whichever pack he prefers. 39. If, prior to the cut for the following deal, a pack be proved incorrect, the deal is void, but all prior scores stand.
The same as Pize-ball. It is sometimes called Tut-ball. --Addy s _Sheffield Glossary_. See Ball. Cuckoo A child hides and cries Cuckoo. The seekers respond-- Cuckoo cherry-tree, Catch a bird and bring it me. --Burne s _Shropshire Folk-lore_, p. 222. Halliwell calls this a game at ball, and the rhyme runs-- Cuckoo cherry tree, Catch a bird and bring it me; Let the tree be high or low, Let it hail, rain or snow. See Hide and Seek.
2). If he does so, a small stone is put into the cap of the boy struck. If he misses, a stone is put into his own cap. If the boy who is to pitch the ball into the cap misses, a stone is put into his own cap, and he makes another trial. The game goes on till six stones are put into one cap. The boy in whose cap are the six stones has to place his hand against a wall, when he receives a certain number of blows with the ball thrown with force by one of the players. The blows go by the name of buns. The game may go on in the same way till each player gets his buns. --Nairn (Rev. W.
The same game is called Frimsey-framsey in parts of the county of Antrim.--Patterson s _Antrim and Down Glossary_. Compare Cushion Dance. Frog-lope Name for Leap-frog. --Addy s _Sheffield Glossary_. Frog in the Middle One child is seated on the ground with his legs under him; the other players form a ring round. They then pull or buffet the centre child or Frog, who tries to catch one of them without rising from the floor. The child who is caught takes the place of the centre child. Another method of playing the game is similar to Bull in the Park. The child in the centre tries to break out of the ring, those forming it keeping the Frog in the ring by any means in their power, while still keeping their hands clasped.
I just would have thought... I dribbled off, raising my shoulders. Thought what, Lefty? Oh, I said. That it was somehow beneath the dignity of the Grand Master to drag himself down here to the hospital just to add a little conviction to the hallucination. I mean, working up a big entrance, and all this pretense of your seeing a snake. His smile was a little weary. Try a lift, Lefty, Maragon said. He had finally overplayed his hand.
B. Gomme). [Music] --Congleton (Miss A. E. Twemlow). I. A dis, a dis, a green grass, A dis, a dis, a dis; Come all you pretty fair maids And dance along with us. For we are going roving, A roving in this land; We ll take this pretty fair maid, We ll take her by the hand. Ye shall get a duke, my dear, And ye shall get a drake; And ye shall get a young prince, A young prince for your sake. And if this young prince chance to die, Ye shall get another; The bells will ring, and the birds will sing, And we ll clap hands together.
Each one closes with Down goes Merrima Tansa and the head-ducking; and this wonderful music-drama of childhood is not concluded until the christening of the bride s first-born, with-- Next Sunday morn to church she must gae, A babe on her knee, the best of a-- And down goes Merrima Tansa! Jamieson gives the game as a ring within which one goes round with a handkerchief, with which a stroke is given in succession to every one in the ring; the person who strikes, or the taker, still repeating this rhyme:-- Here I gae round the jingie ring, The jingie ring, the jingie ring, Here I gae round the jingie ring, And through my merry-ma-tanzie. Then the handkerchief is thrown at one in the ring, who is obliged to take it up and go through the same process. He also mentions another account of the game which had been sent him, which describes the game as played in a similar manner to the versions given by Chambers. Stewart, in his _Ben Nevis and Glencoe_, p. 361, records the following rhyme:-- Here we go with merry shout, Up and down and round about, And dance a merry-ma-tandy, but he does not describe the game in detail. Milking Pails [Music] --Monton, Lancashire (Miss Dendy); London (A. B. Gomme). [Music] --Earls Heaton, Yorks. (H.
Gomme). A game described in _Suffolk County Folk-lore_, p. 62, is apparently a version of this. It is there described as a forfeit game. King William [Music] --Earls Heaton, Yorks. (H. Hardy). I. King William was King David s son, And all the royal race is run; Choose from the east, choose from the west, Choose the one you love the best. Down on this carpet you shall kneel While the grass grows in yonder field; Salute your bride and kiss her sweet, Rise again upon your feet.
Twelve tricks is a _=little slam=_, and it counts 4. Either of these must be made exclusive of revoke penalties. _=RUBBERS.=_ The rubber is won by the side that first wins four games of ten points each; and the winning side adds 8 points to its score. _=SCORING.=_ The game score should be kept on a whist marker, using the four large keys on one side for single points, and the single large key on the opposite side for five points. The three small keys are used to show how many games of the rubber have been won by that side. [Illustration: TWO GAMES WON, AND 2 POINTS SCORED ON THE THIRD.] The method of using counters for scoring 10-point games has already been described in connection with Whist. In addition to either markers or counters, there must be a sheet of paper to keep the final results of the games.
Suppose a player has two spade Kings on the table, and shows double bézique. He of course marks the more valuable score, 500, and simply claims the marriages by saying: “With twenty and twenty to score.” On winning another trick he is not compelled to score the previous announcement if he has any other or better to make. He might have two more Queens, and would announce: “Sixty Queens, with twenty and twenty to score.” If he scores one of the announcements held over, he still carries on the other. When announcements are carried forward in this manner, it must be remembered that the cards must still be on the table when the time comes to score them. If one of them has been led or played, or the stock is exhausted before the player wins another trick, the score held over is lost. _=Time.=_ On account of the great number of combinations possible at Rubicon Bézique, it is very seldom that a player succeeds in scoring everything he holds. He is allowed to count the cards remaining in the talon, provided he does not disturb their order.
Four Kings, Queens, Jacks, Aces, or Sevens in one hand is an impérial; but the Eights, Nines and Tens have no value. _=Declaring.=_ The elder hand announces his point, as in Piquet, and arrives at its value in the same way, reckoning the Ace for 11, etc. The dealer replies, “Good,” or “Not good,” as the case may be; but there are no equalities. If the point is a tie, the elder hand counts it. The point is worth a _=white=_ counter. The impérials are then called, each being worth one _=red=_ counter. The sequences are called first, that in trumps being “good” of course; then the fours are called, the best being four Kings, and the lowest four Aces. In plain-suit sequences there are no “equals,” the elder hand counting ties as an offset to the advantages of the deal. _=Playing.
He who drives it the greatest distance wins the game.--Halliwell s _Dictionary_. Strutt (_Sports and Pastimes_, p. 109) describes this game as Northern-spell, played with a trap, and the ball is stricken with a bat or bludgeon. The contest between the players is simply who shall strike the ball to the greatest distance in a given number of strokes. The length of each stroke is measured before the ball is returned, by means of a cord made fast at one end near the trap, the other being stretched into the field by a person stationed there for that purpose, who adjusts it to the ball wherever it may lie. In a work entitled the _Costumes of Yorkshire_ this game is described and represented as Nor and Spell. The little wooden ball used in this game is in Yorkshire called the Nor, and the receptacle in which it is placed the Spell. Peacock (_Manley and Corringham Glossary_) gives knur, (1) a hard wooden ball, (2) the head. Addy (_Sheffield Glossary_) says knur is a small round ball, less than a billiard ball.
=_ The cards dealt, each player sorts his hand into sequences and triplets, and determines what cards he wants to complete his runs, so that he may be on the lookout for them. The pone then draws the top card from the stock and turns it face up on the pack. If this card can be used in combination with any of those in his hand, he draws it over to his side of the table, and takes from his hand the cards completing the combination of three cards, leaving them all face up. Even if he has cards enough in his hand to increase the combination to four or more cards, he should not show them. The cards drawn from the stock must never be taken into the hand. Let us suppose the pone holds these cards:--♡ J 7 6 4; ♠ 5 3 2; ♢ K 7 5; and that the ♡ 5 is the first card he draws. He can use this card in three ways: By making a run of three with the ♡ 4 and ♡ 6; or a run with the ♡ 6 and ♡ 7; or a triplet with the two other 5’s. In this case he would probably lay out the 6 and 7, and make the run of three. If he should draw the ♡ Q later on, he could use it by continuing the sequence with his Jack; or if the ♡ 3 appeared, he could use it with his ♡ 4. _=Passing.