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2 plays at No. 1, No. 3 at No. 2, and so on--each person playing at the last ball, unless the striker’s ball be in hand, when he plays at the nearest ball. _=3.=_ When a striker loses a life the next in rotation plays at the ball nearest to his own; but if this player’s ball be in hand, he plays at the ball nearest to the centre of the baulk-line, whether it be in or out of baulk. _=4.=_ When any doubt arises as to the nearest ball, the marker measures the distance, and the player strikes at the ball declared to be nearest his own. _=5.=_ The baulk is no protection.

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If _=B=_ has the Jack, he must catch the Ten, no matter how _=Y=_ and _=Z=_ play. * * * * * _=FRENCH WHIST=_ is the name given to a variety of Scotch Whist in which the Ten of Diamonds counts ten to those winning it, whether it is a trump or not. BOSTON. _=CARDS.=_ Boston is played with two packs of fifty-two cards each, which rank as at Whist, both for cutting and playing. _=MARKERS=_ are not used in Boston, every hand being immediately settled for in counters. These are usually of three colours; white, red, and blue; representing cents, dimes, and dollars respectively. At the beginning of the game each player should be provided with an equal number, the general proportion being 20 white, 18 red, and 8 blue for each. Some one player should be selected to act as the banker, selling and redeeming all counters. _=STAKES.

Your hand, love, your hand, love, Then give me your hand, love, Take a sweet kiss from me. --Winterton, Nottinghamshire and Yorkshire (Miss Peacock). XI. Isabella, Isabella, Isabella, Farewell! Last night when we parted I left you broken-hearted, And down by the river you saw your young man. In the stream, love, in the stream, love, In the stream, love, Farewell! Go to church, love, go to church, love, Go to church, love, Farewell. In the ring, love, in the ring, love, In the ring, love, Farewell! --Long Eaton, Nottinghamshire (Miss Youngman). XII. Elizabella, Farewell! Last night as we parted She left me broken-hearted, And on a green mountain She looked like a dove. Choose your loved one, Choose your loved one, Choose your loved one, Farewell! Go to church, love, Farewell! Say your prayers, love, Farewell! In the ring, love, Farewell! Shake hands, loves, Shake hands, loves, Farewell! Give a kiss, loves, Give a kiss, loves, Farewell! --Liphook, Hants (Miss Fowler). XIII.

Bell); On a cold and frosty morning, Forest of Dean (Miss Matthews); Every night and morning, Gainford, Durham (Miss Edleston); We ve picked [Sally Gray] for nuts in May, All on a summer s morning, Sheffield (Mr. S. O. Addy). A version by Miss Kimber (Newbury, Berks, and Marlborough, Wilts) ends each verse, Nuts and May. In other respects these variants are practically the same. Printed versions not given above are Hersham, Surrey (_Folk-lore Record_, v. 85); Burne s _Shropshire Folk-lore_, p. 516; Sulhampstead, Berks (_Antiquary_, vol. xxvii.

The pone may stand on the first card, or draw; but he does not say anything if he overdraws. The dealer then draws or stands, and both show their cards. The one nearest to 15 wins; but if the result is a tie, or if both have overdrawn, the stakes are doubled, and another hand is dealt, the deal passing from player to player in rotation. BACCARA. This very popular variation of Vingt-et-un originated in the south of France, and came into vogue during the latter part of the reign of Louis Philippe. It is neither a recreation nor an intellectual exercise, but simply a means for the rapid exchange of money, well suited to persons of impatient temperament. The word “Baccara” is supposed to mean “nothing,” or “zero,” and is applied to the hands in which the total pip value of the cards ends with a cypher. There are two forms of the game in common use; Baccara a deux tableaux, and Baccara chemin de fer. The first will be first described. _=Players.

By combining his knowledge of them with his own cards, he may often be able to direct his play to advantage. Beyond this there is little skill in the game. A variation is sometimes made by the dealer announcing a trump suit after he has examined his hand, instead of turning up the last card. His adversary then has the right either to play his hand, or to exchange it for the one on his right; but the dealer must play the hand dealt to him. THIRTEEN AND THE ODD. This is Humbug Whist without the discard. The dealer gives thirteen cards to his adversary and to himself, one at a time, and turns up the next for the trump. The trump card belongs to neither player. The winner of the odd trick scores a point. Five points is game.

Johnson says: Handy dandy, a play in which children change hands and places: See how yon justice rails upon yon simple thief! Hark, in thine ear: change places, and, handy dandy, which is the justice, which is the thief? (_King Lear_, iv. 6). Malone says, Handy dandy is, I believe, a play among children, in which something is shaken between two hands, and then a guess is made in which hand it is retained. See Florio s _Italian Dictionary_, 1598: Bazzicchiare, to shake between the hands; to play Handy dandy. Pope, in his _Memoirs of Cornelius Scriblerus_, in forbidding certain sports to his son Martin till he is better informed of their antiquity, says: Neither cross and pile, nor ducks and drakes, are quite so ancient as Handy dandy, though Macrobius and St. Augustine take notice of the first, and Minutius Foelix describes the latter; but Handy dandy is mentioned by Aristotle, Plato, and Aristophanes. Browne, in _Britannia s Pastorals_ (i. 5), also alludes to the game. See Neiveie-nick-nack. Hap the Beds A singular game, gone through by hopping on one foot, and with that foot sliding a little flat stone out of an oblong bed, rudely drawn on a smooth piece of ground.

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=_ On the second round of any suit, the player holding the best card should play it; or having several equally the best, one of them. If he is Fourth Hand, he may be able to win the trick more cheaply. If the original leader has several cards, equally the best, such as A Q J remaining after having led the King, he should continue with the lowest card that will win the trick. This should be an indication to his partner that the card led is as good as the best, and that therefore the leader must have the intermediate cards. _=Following King=_, which has been led from these combinations:-- [Illustration: 🂡 🂮 🂭 🂫 | 🂱 🂾 🂻 🂷 🃁 🃎 🃍 🃆 | 🃑 🃞 🃔 🃓 ] Leading the Jack on the second round would show both Ace and Queen remaining. Leading Queen would show Ace, but not the Jack. Leading Ace would show that the leader had not the Queen. In combinations which do not contain the best card, the lead may be varied in some cases to show the number remaining in the leader’s hand, or to indicate cards not shown by the first lead. _=Following King=_, which has been led from these combinations:-- [Illustration: 🃎 🃍 🃋 🃊 | 🃞 🃝 🃛 🃖 ] Leading the Ten on the second round would show both Queen and Jack remaining. Leading the Jack would show the Queen; but not the ten.

A player in this position should never straddle. Many players endeavour to force their luck in this way, but it is a losing game, and the best players seldom or never straddle. Having to make the first bet after the draw, it is usual for the player in this position, if he has an average hand, to _=chip along=_, by simply betting a single counter, and waiting for developments. With a strong hand, it is best to bet its full value at once, on the chance that the bet may be taken for a bluff, and called. _=Other Positions.=_ As the positions go round the table from the first bettor to the age, they become more desirable, and little need be said of them beyond the consideration of the average strength necessary for a player to _=go in=_ on. _=GOING IN.=_ There is a great difference of opinion as to the minimum value of a hand which should justify a player in drawing cards if he can do so for the usual ante. In close games many players make it a rule not to go in on less than tens, while in more liberal circles the players will draw to any pair. In determining which course to follow, the individual must be guided by his observation and judgment.

The player should not only be thoroughly familiar with the relative value of the various combinations which may be held at Poker, but should have some idea of the chances for and against better combinations being held by other players, and should also know the odds against improving any given combination by drawing to it. The value of this technical knowledge will be obvious when it is remembered that a player may have a hand dealt to him which he knows is comparatively worthless as it is, and the chances for improving which are only one in twelve, but which he must bet on at odds of one in three, or abandon it. Such a proceeding would evidently be a losing game, for if the experiment were tried twelve times the player would win once only, and would lose eleven times. This would be paying eleven dollars to win three; yet poker players are continually doing this. _=RANK OF THE HANDS.=_ The various combinations at Poker outrank one another in the following order, beginning with the lowest. Cards with a star over them add nothing to the value of the hand, and may be discarded. The figures on the right are the odds against such a hand being dealt to any individual player. Five cards of various suits; not in sequence, and without a pair. [Illustration: 🂡* 🃘* 🂶* 🂴* 🂢*] Even _=One Pair.

Bardeleben, he said: “I know a lot of people who hold the view that chess is an excellent means of training the mind in logic and shrewd calculation, provision and caution. But I don’t find these qualities reflected in the lives of chess-players. They are just as fallible and foolish as other folks who don’t know a rook from a pawn. But even if it were a form of mental discipline, which I doubt, I should still object to it on the ground of its fatal fascination. Chess is a kind of mental alcohol. It inebriates the man who plays it constantly. He lives in a chess atmosphere, and his dreams are of gambits and the end of games. I have known many an able man ruined by chess. The game has charmed him, and, as a consequence, he has given up everything to the charmer. No, unless a man has supreme self-control, it is better that he should not learn to play chess.

As it is impossible to have a blaze which does not contain two pairs of court cards, all that they beat is aces up or kings up. If it were ranked, like other poker hands, by the difficulty of getting it, a blaze should beat a full hand. All these hands are improperly placed in the scale of poker values, as will be seen by comparing the odds against them. In any games to which these eccentric hands are admitted, the rank of all the combinations would be as follows, if poker principles were followed throughout:-- DENOMINATION. ODDS AGAINST. One pair 1¼ to 1 Two pairs 20 to 1 Three of a kind 46 to 1 Sequence or straight 254 to 1 Skip or Dutch straight 423 to 1 Flush 508 to 1 Tiger [Big or Little Dog] 636 to 1 Full hand 693 to 1 Round-the-corner straight 848 to 1 Blaze 3008 to 1 Four of a kind 4164 to 1 Straight flush 72192 to 1 Royal Flush [Ace high] 649739 to 1 When the true rank of these eccentric hands is not allowed, local custom must decide what they will beat. _=JOKER POKER=_, or _=MISTIGRIS=_. It is not uncommon to leave the joker, or blank card, in the pack. The player to whom this card is dealt may call it anything he pleases. If he has a pair of aces, and the joker, he may call them three aces.

_, gobs in a row. This was described by the player as while the tally is up to sweep the whole row or line off the ground into the arch of the finger and thumb before catching the tally. (_b_) These games are variants of one common original. It is the same game as that described by F. H. Low in the _Strand Magazine_, ii. 514, as played in the London streets. The marble there is called a buck. Pegsy was the name of the No. 5 stage of the Wakefield version, and this varies too, inasmuch as it was the same gob which is picked up and then laid down before catching the buck.

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The cradle. 2. The soldier s bed. 3. Candles. 4. The cradle inversed, or manger. 5. Soldier s bed again, or diamonds. 6.

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In reckoning the value of a game it is always safer to bid on playing “with” than “without” Matadores in a Solo or Tourné; because, although you may have a hand “without four,” you may find a Wenzel in the Skat, and if it is the club Jack you lose three multipliers at once. _=BIDDING.=_ The players must be familiar with the manner of computing the various games in order to bid with judgment, and without hesitation. Suppose you hold the three highest Matadores with an average hand, not strong enough in any one suit to play a Solo, but good enough for a Tourné. Your smallest possible game will be diamonds with three; which will be worth 5 multiplied by 4; 1 for the game, and 3 for the Matadores, 20 points. If you can get the game on any bid less than 20 you are absolutely safe, provided you can reach 61 in your tricks. But the opposition of another player may irritate you, [reizen,] and provoke you to bid 24, or even 28, in the hope of turning a heart or a spade. If you go beyond 20, and turn a diamond, you must either find the fourth Matadore in the Skat, or make your adversaries schneider, in order to secure another multiplier. If you fail, you lose 24, or 28, according to your bid. The great difficulty in Skat is to judge the value of a hand, so as neither to under nor overbid it, and also to get all out of it that it is worth.

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