There is no authority for the introduction of the “h,” which has led some persons to think the word a compound of “bis” and “knochle,” and has given rise to the forms: binochle, pinochle, pinuchle, pinucle, penucle, penuchle, penuckle and pinuckel, all of which may be found in various works on card games. _=CARDS.=_ Binocle is played with two packs of twenty-four cards each, all below the Nine being deleted, and the two packs being then shuffled together, and used as one. The cards rank A 10 K Q J 9, the Ace being the highest, both in cutting and in play. _=COUNTERS.=_ The game is 1000 points, and is usually scored with counters, each player being provided with four white, worth 10 each; four blue, worth 100 each; one red, worth 50, and a copper cent or a button, which represents 500. These counters are placed on the left of the player at the beginning of the game, and are moved over to his right as the points accrue. The game is sometimes kept on a cribbage board, each player starting at 21, and going twice round to the game-hole, reckoning each peg as 10 points. _=STAKES.=_ Binocle is played for so much a game of 1000 points, and the moment either player either actually reaches or claims to have reached that number, the game is at an end.
512). IV. I ve come to borrow the riddle (= sieve), There s a big hole in the middle. I ve come to borrow the hatchet, Come after me and catch it. --Chirbury (_Shropshire Folk-lore_, p. 512). V. Down by the greenwood, down by the greenwood, Down by the greenwood tree, One can follow, one can follow, One can follow me. Where must I follow? where must I follow? Follow, follow me. Where must I follow? where must I follow? Follow, follow me.
--Lady Camilla Gurdon s _Suffolk County Folk-lore_, p. 63. IV. You must surrend me, you must surrend me To the Queen of Barbaloo. No, we ll not surrend you, no, we ll not surrend you To the Queen of Barbaloo. We ll complain, we ll complain, &c. [To the Queen of Barbaloo.] You can complain, you can complain, &c. [To the Queen of Barbaloo.] --Penzance (Mrs.
--London (G. L. Gomme). Leap-frog is known in Cornwall as Leap the Long-mare (_Folk-lore Journal_, v. 60), and in Antrim and Down as Leap the Bullock (Patterson s _Glossary_). See Accroshay, Loup the Bullocks, Spanish Fly. Leap the Bullock See Leap-frog, Loup the Bullocks. Leaves are Green The leaves are green, the nuts are brown, They hang so high they will not come down; Leave them alone till frosty weather, Then they will all come down together. --Berkshire (Miss Thoyts, _Antiquary_, xxvii. 254).
| Best. | +------------+-----------+--------------+-------+-------+ Any King and Queen is _=Matrimony=_; any Queen and Jack is _=Intrigue=_; any King and Jack is _=Confederacy=_; any two cards of the same denomination form a _=Pair=_, and the diamond ace is always _=Best=_. The players draw, and the lowest card deals: ace is low. The dealer then takes any number of counters he chooses, and distributes them as he pleases on the various divisions of the layout. Each player then takes a number of counters one less than the dealer’s, and distributes them according to his fancy. The cards are then cut, and the dealer gives one to each player, face down; and then another, face up. If any of the latter should be the diamond ace, the player to whom it is dealt takes everything on the layout, and the cards are gathered and shuffled again, the deal passing to the left, the new dealer beginning a fresh pool. If the diamond ace is not turned up, each player in turn, beginning with the eldest hand, exposes his down card. The first player to discover Matrimony in his two cards, takes all that has been staked on that division of the layout. The first to discover Intrigue or Confederacy, takes all on that, and the first player to expose a Pair takes that pool.
Madam, I bow vounce to thee. Sir, have I done thee any harm? Coxconian! Coxconian is not my name; tis Hers and Kers, and Willis and Cave. Stab me, ha! ha! little I fear. Over the waters there are but nine, I ll meet you a man alive. Over the waters there are but ten, I ll meet you there five thousand. Rise up, rise up, my pretty fair maid, You re only in a trance; Rise up, rise up, my pretty fair maid, And we will have a dance. --Lady C. Gurdon s _Suffolk County Folk-lore_, p. 65. (_b_) In the Suffolk game the children form a ring, a boy and girl being in the centre.
TWO. THREE. FOUR. ] The number of pips exposed on the card which is face up is immaterial; the relative position of the two cards will always determine the score. Rubber or game scores must be kept on a whist marker, or on a sheet of paper. _=PLAYERS.=_ Euchre may be played by any number of persons from two to seven; but in the seven-handed game the full pack of fifty-three cards is used. Whatever the number of players, they cut for positions at the table, for partners, and for the deal. _=CUTTING.=_ The cards are usually spread, face down, and each candidate for play draws a card.
See Buff with a Stick, Dinah. Mulberry Bush [Music] --Miss Harrison. Here we go round the mulberry bush, The mulberry bush, the mulberry bush, Here we go round the mulberry bush, On a cold and frosty morning. This is the way we wash our hands, Wash our hands, wash our hands, This is the way we wash our hands, On a cold and frosty morning. Here we go round the mulberry bush, The mulberry bush, the mulberry bush, Here we go round the mulberry bush, On a cold and frosty morning. This is the way we wash our clothes, Wash our clothes, wash our clothes, This is the way we wash our clothes, On a cold and frosty morning. Here we go round the mulberry bush, The mulberry bush, the mulberry bush, Here we go round the mulberry bush, On a cold and frosty morning. This is the way we go to school, We go to school, we go to school, This is the way we go to school, On a cold and frosty morning. Here we go round the mulberry bush, The mulberry bush, the mulberry bush, Here we go round the mulberry bush, On a cold and frosty morning. --Liphook, Hants (Miss Fowler).
” If the trump card is not an ace, any player at the table holding the ace of trumps is bound to announce the fact when it comes to his turn to play to the first trick. The usual plan is for him to pass a card to the dealer face downward, and in return the dealer will give him the turn-up trump. If the holder of the ace does not want the turn-up, he must tell the dealer to turn the trump down, which shows that he could rob, but does not wish to. If the holder of the ace of trumps plays without announcing it, he not only loses his right to rob, but his ace of trumps becomes of less value than any other trump for that deal, and even if it is the ace of hearts he loses the privileges attached to that card. _=METHOD OF PLAYING.=_ The eldest hand begins by leading any card he pleases. It is not necessary to follow suit except in trumps; but if a player does not follow suit when he is able to do so, he must trump the trick, or it is a revoke. If he cannot follow suit, he may trump or discard at his pleasure. The highest card played of the suit led wins the trick, and trumps win all other suits. The winner of the first trick leads any card he pleases for the next, and so on, until all five tricks have been played.
Build it up with wood and stone, Wood and stone will fall away. Build it up with silver and gold, Silver and gold will be stolen away. Then we must set a man to watch, Suppose the man should fall asleep? Then we must put a pipe in his mouth, Suppose the pipe should fall and break? Then we must set a dog to watch, Suppose the dog should run away? Then we must chain him to a post. The two lines in _italic_ are all regularly repeated after each line.--M. Green. Another correspondent to this magazine, in the same volume, p. 507, observes that the ballad concerning London Bridge formed, in my remembrance, part of a Christmas Carol, and commenced thus-- Dame, get up and bake your pies, On Christmas-day in the morning. The requisition goes on to the dame to prepare for the feast, and her answer is-- London Bridge is fallen down, On Christ-mas day in the morning, &c. The inference always was, that until the bridge was rebuilt some stop would be put to the Dame s Christmas operations; but why the falling of London Bridge should form part of a Christmas Carol at Newcastle-upon-Tyne I am at a loss to know.
When can we see her? At two o clock. (Clock strikes two.) We ve come to see poor Jenny Jones, poor Jenny Jones, poor Jenny Jones, We ve come to see poor Jenny Jones, how is she to-day? Poor Jenny is folding, folding, folding, Poor Jenny is folding, you can t see her to-day. When can we see her? At three o clock. (Clock strikes three.) We ve come to see poor Jenny Jones, poor Jenny Jones, poor Jenny Jones, We ve come to see poor Jenny Jones, how is she to-day? Poor Jenny is ironing, ironing, ironing, Poor Jenny is ironing, you can t see her to-day. When can we see her? At four o clock. (Clock strikes four.) We ve come to see poor Jenny Jones, poor Jenny Jones, poor Jenny Jones, We ve come to see poor Jenny Jones, how is she to-day? Poor Jenny is poorly, poorly, poorly, Poor Jenny is poorly, you can t see her to-day. When can we see her? At five o clock.
Dr. Hyde thinks the morris, or merrils, was known during the time that the Normans continued in possession of England, and that the name was afterwards corrupted into _three men s morals_, or _nine men s morals_. If this be true, the conversion of _morrals_ into _morris_, a term so very familiar to the country people, was extremely natural. The Doctor adds, that it was likewise called _nine-penny_ or _nine-pin miracle_, _three-penny morris_, _five-penny morris_, _nine-penny morris_, or _three-pin_, _five-pin_, and _nine-pin morris_, all corruptions of _three-pin, &c, merels_ (Hyde s _Hist. Nederluddi_, p. 202). Nares says the simpler plan here represented (fig. 2), which he had also seen cut on small boards, is more like the game than the one referred to in the variorem notes of Shakespeare. [Illustration: Fig. 2.
In any games to which these eccentric hands are admitted, the rank of all the combinations would be as follows, if poker principles were followed throughout:-- DENOMINATION. ODDS AGAINST. One pair 1¼ to 1 Two pairs 20 to 1 Three of a kind 46 to 1 Sequence or straight 254 to 1 Skip or Dutch straight 423 to 1 Flush 508 to 1 Tiger [Big or Little Dog] 636 to 1 Full hand 693 to 1 Round-the-corner straight 848 to 1 Blaze 3008 to 1 Four of a kind 4164 to 1 Straight flush 72192 to 1 Royal Flush [Ace high] 649739 to 1 When the true rank of these eccentric hands is not allowed, local custom must decide what they will beat. _=JOKER POKER=_, or _=MISTIGRIS=_. It is not uncommon to leave the joker, or blank card, in the pack. The player to whom this card is dealt may call it anything he pleases. If he has a pair of aces, and the joker, he may call them three aces. If he has four clubs, and the joker, he may call it a flush; or he may make the joker fill out a straight. If he has four of a kind, and the joker, he can beat a royal flush by calling his hand five of a kind. In case of ties, the hand with the mistigris wins; that is to say, an ace and the joker will beat two aces.
The banker asks for bets on the _=inside=_ and _=outside=_, and the amounts staked on each side must balance. So long as they do not balance, the banker must ask for what he wants: “Give me fourteen dollars on the outside to make the game,” etc. As soon as the amounts balance, and no more bets are offered, he says: “Roll. The game is made.” A round stick, about a foot long, is placed behind nine small ivory balls. Any person may roll. He takes his stand at one corner of the table and rolls the balls across the table to the pocket diagonally opposite him. At least one ball must go into the pocket and one must be left out, or they must be rolled over again. The number of balls left outside the pocket, odd or even, decides whether the inside or the outside bets win; and after the banker has deducted his ten per cent, the players who have backed the winning side get their money. MONTE BANK.
” As the black King can move only one square at a time, he cannot get out of check by moving, because the only squares to which he could go would still leave him in check from the Rook. Neither the Knight nor the Bishop can interpose to shut out the Rook’s attack; neither of those pieces can capture the Rook; and the Pawns cannot move backward; so the black King is mated, and White wins the game. A mate may take place in the middle of the board, as shown in Diagram No. 9. [Illustration: _No. 9._ +---+---+---+---+---+---+---+---+ | | ♛ | ♚ | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | ♕ | | | +---+---+---+---+---+---+---+---+ | | | | | ♔ | | | | +---+---+---+---+---+---+---+---+ | | ♜ | | | | | | | ] If the black Queen moves diagonally four squares, placing herself in front of the white King, and on the same horizontal file as the black Rook, it will be check-mate, because the white King cannot get out of one check into another by taking the Queen, which is protected by the Rook. For the same reason he cannot move, as the only squares open to him would leave him in check from the Queen, or move him into check from the black King. _=Stalemate.=_ If the King is not in check, but cannot move without going into check, and there is no other piece for the player to move, it is called a stale-mate, and the game is drawn.
V. I ve come to see Jenny jo, Jenny jo, Jenny jo, I ve come to see Jenny jo, How is she now? Jenny jo is washing clothes, washing clothes, washing clothes, Jenny jo is washing clothes, You can t see her now. I ve come to see Jenny jo, Jenny jo, Jenny jo, I ve come to see Jenny jo, How is she now? Jenny jo is ironing clothes, ironing clothes, ironing clothes, Jenny jo is ironing clothes, You can t see her now. I ve come to see Jenny jo, Jenny jo, Jenny jo, I ve come to see Jenny jo, How is she now? Jenny jo is sick, my dear, sick, my dear, sick, my dear, Jenny jo is sick, my dear, You can t see her now. I ve come to see Jenny jo, Jenny jo, Jenny jo, I ve come to see Jenny jo, How is she now? Jenny jo is underboard, underboard, underboard, Jenny jo is underboard, You can t see her now. --Lismore (Miss F. Keane, collected from Miss Ward, National Schoolmistress). VI. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is washing, O washing, O washing, O Jenny is washing, And you can t see her now. Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too.
The cards thus selected are then thoroughly shuffled, and presented face downward to the ladies to draw from. Each lady takes a red-backed card, the gentlemen drawing the blue cards only. The number of pips on the card drawn will indicate to each person the table at which they are to sit. Should the number of men and women not be equal, some of the men must represent women or _vice versa_. Each player is provided at starting with a certain number of counters, usually fifty. The head table is supplied with a box of counters differing in colour from any of those used by the players, and also with a bell. The choice of seats, deal, etc., is decided at each table exactly as at Draw Poker. One deal is made at each table, ordinary Draw Poker is played, and when the pool is decided at the head table the bell is struck. This is the signal for the winner of the pool at each of the other tables to move up to the table next above.
The possessor of the ball then throws it to one in the circle, calling out the name of either of the elements he pleases. This player must, before ten can be counted, give the name of an inhabitant of that element. When Fire is called, strict silence must be observed or a forfeit paid.--Cork, Ireland (Miss Keane). The players were seated in a half-circle, and the possessor of the ball faced the others. There was no string attached to the ball, but it was necessary that it should hit the child it was thrown to. When Fire was called, Salamander and Ph[oe]nix were allowed to be said. The third time Fire was called, silence was observed, and every player bowed the head. We called it Earth, Air, Fire, and Water. A forfeit had to be paid for every mistake.
I. Have you seen the muffin man, the muffin man, the muffin man, Have you seen the muffin man that lives in Drury Lane O? Yes, I ve seen the muffin man, the muffin man, the muffin man; Yes, I ve seen the muffin man who lives in Drury Lane O. --Earls Heaton, Yorks. (H. Hardy). II. O, have you seen the muffin man, The muffin man, the muffin man; O, have you seen the muffin man Who lives in Drury Lane O? --N. W. Lincolnshire (Rev. ---- Roberts).
Shepherds boys and other clowns play it on the green turf, or on the bare ground; cutting or scratching the lines, on the one or the other. In either case it is soon filled up with mud in wet weather. In towns, porters and other labourers play it, at their leisure hours, on the flat pavement, tracing the figure with chalk. It is also a domestic game; and the figure is to be found on the back of some draught-boards. But to compare _morris_ with that game, or with chess, seems absurd; as it has a very distant resemblance, if any at all, to either, in the lines, or in the rules of playing. On the ground, the men are pebbles, broken tiles, shells, or potsherds; on a table, the same as are used at draughts or backgammon. In Nares it is said to be the same as nine-holes. With us it is certainly different. Cope (_Hampshire Glossary_) says that Nine Men s Morrice is a game played with counters. He does not describe it further.
Wood s _Modern Playmate_, p. 12. [Illustration] Knocked at the Rapper The girl who spoke of this game, says Miss Peacock, could only remember its details imperfectly, but as far as she recollects it is played as follows:--The players dance round a centre child, leaving one of their number outside the circle. The dancers sing to the one in their midst-- Here comes ----, He knocked at the rapper, and he pulled at the string, Pray, Mrs. ----, is ---- within? At is ---- within, the child outside the circle is named. The centre child says-- O no, she has gone into the town: Pray take the arm-chair and sit yourself down. The ring of children then sing-- O no, not until my dearest I see, And then one chair will do for we. Then all sing-- My elbow, my elbow, My pitcher, and my can: Isn t ---- ---- a nice young girl? Mentioning the supposed sweetheart. Isn t ---- ---- as nice as she? Mentioning the outside child. They shall be married when they can agree.
If you are playing against a Grand, and have two trumps, one of them the best, lead it, and then play your long suit; but if you have the two smallest trumps, lead the long suit first, and force with it every time you get in. The partners should always scheme to protect each other’s Tens by keeping the Aces of plain suits. For this reason it is very bad play to fatten with the Ace of a suit of which you have not the Ten, or to play an Ace third hand when there are only small cards in the trick, and the Ten of the suit has not been played and you do not hold it. If the player is void of a suit, continue leading it, no matter what you hold in it. This will either weaken his trumps, or, if he is between you, will give your partner discards. If the player leads a Wenzel, it is usually best to cover it if you can; but do not play the club Jack on the diamond Jack unless you want the lead very badly. When the single player does not lead trumps, but plays his Aces and Tens, the Germans call it “auf die Dörfer gehen;” that is, getting to the villages, or getting home; equivalent to our expression, “getting out of the woods,” or “getting in out of the rain.” When the single player runs for home in this way, it is usually best to lead trumps through him at the first opportunity. In playing against a Nullo, the great point is to give your partner discards. If you find that the player’s long suit is yours also, continue it until your partner has discarded an entire suit if possible.
--London Nursemaid, 1876 (A. B. Gomme). II. Mary s gone a-milking, a-milking, a-milking, Mary s gone a-milking, mother, dear mother of mine. Where did she get her money from, daughter, daughter? Where did she get her money from, daughter, dear daughter of mine? [Then follow verses sung in the same manner, beginning with the following lines--] Sold her father s feather bed, feather bed. What will your father lie on, lie on? Lay him in the pig-sty, pig-sty. Where will the pigs lie, daughter? Lay them in the wash-tub, mother. What shall I wash in, wash in? Wash in a thimble, mother. A thimble won t hold my night-cap.
The following _=Illustrative Hands=_ will give the student a very good idea of the manner in which the various forms of the game are played, showing the difference in the play of a Tourné, Solo, and Grand. _=A TOURNÉ.=_ A, Vorhand, has refused ten with the following cards, Hinterhand having passed without a bid:-- [Illustration: 🃛 🂻 🂺 🂾 🃑 🃞 🃁 🃇 🂪 🂩 ] A concludes to play a Tourné, and turns the heart ♡ Q, finding the ♢ King in the Skat. He lays out the ♠ 10 and ♠ 9 in the Skat, and expects to make 12 points; a heart Tourné, with one Matadore. The play is given in the margin. A is the player, and is also Vorhand, with the lead for the first trick. Hearts are trumps. A TOURNÉ +---+-------+-------+-------+-----+ | | A | B | C | A | | | | | |wins.| +---+-------+-------+-------+-----+ | 1 | _♣J_ | ♡7 | J♢ | 4 | | 2 | ♡Q | _♡A_ | ♡8 | - | | 3 | _K♢_ | 9♢ | Q♢ | 7 | | 4 | ♡J | _J♠_ | A♠ | - | | 5 | _♡10_ | ♡9 | 7♠ | 10 | | 6 | _A♢_ | ♣7 | 8♢ | 11 | | 7 | 7♢ | K♠ | _10♢_ | - | | 8 | ♣K | _♣10_ | ♣9 | - | | 9 | _♡K_ | Q♠ | 8♠ | 7 | |10 | _♣A_ | ♣Q | ♣8 | 14 | +---+-------+-------+-------+ + | ♠10 and ♠9 in the Scat. | 10 | +---------------------------+-----+ | A wins 63 | +---------------------------------+ The manner in which A exhausts the trumps, and makes both his Ace and King of diamonds, should be carefully studied.
Twemlow). I. Have you seen the muffin man, the muffin man, the muffin man, Have you seen the muffin man that lives in Drury Lane O? Yes, I ve seen the muffin man, the muffin man, the muffin man; Yes, I ve seen the muffin man who lives in Drury Lane O. --Earls Heaton, Yorks. (H. Hardy). II. O, have you seen the muffin man, The muffin man, the muffin man; O, have you seen the muffin man Who lives in Drury Lane O? --N. W. Lincolnshire (Rev.
I wonder why they burned up their world with war. They didn t have to planoform. They didn t have to go out to earn their livings among the stars. They didn t have to dodge the Rats or play the Game. They couldn t have invented pinlighting because they didn t have any need of it, did they, Woodley? Woodley grunted, Uh-huh. Woodley was twenty-six years old and due to retire in one more year. He already had a farm picked out. He had gotten through ten years of hard work pinlighting with the best of them. He had kept his sanity by not thinking very much about his job, meeting the strains of the task whenever he had to meet them and thinking nothing more about his duties until the next emergency arose. Woodley never made a point of getting popular among the Partners.
This means an outlay of at least 75 counters. When the triplets come, will he get back 75 counters on them? He will probably win the blind, and one or two antes; but the moment he makes his own ante good, every player who cannot beat triplets, knowing his system, will lay down his hand. An extensive observation of the methods of the best players has led the author to the conclusion that the great secret of success in Poker, apart from natural aptitude for the game, and being a good actor, is to _=avoid calling=_. If you think you have the best hand, raise. If you think you have not the best, lay it down. Although you may sometimes lay down a better hand than the one that takes the pool, the system will prove of immense advantage to you in two ways: In the first place, you will find it a great educator of the judgment; and in the second place, it will take almost any opponent’s nerve. Once an adversary has learned your method, it is not a question of his betting a red chip on his hand; but of his willingness to stand a raise of two blues, which he will regard as inevitable if you come in against him at all. The fear of this raise will prompt many a player to lay down a moderately good hand without a bet; so that you have all the advantage of having made a strong bluff without having put up a chip. The system will also drive all but the most courageous to calling your hand on every occasion, being afraid of a further and inevitable raise; and it is an old saying that a good caller is a sure loser. The theory of calling is to get an opportunity to compare your hand with your adversary’s.