If Big Cassino is still to come, avoid trailing cards that will make a Ten with those on the table. Go for “cards” in preference to everything else, and always make combinations that take in as many cards as possible. If you have a Nine, and the cards on the table are 2 2 5 7, take in the 2 2 5, in preference to the 2 7. It is considered bad policy to take in three court cards, as it stops all sweeps when the fourth appears. ROYAL CASSINO. The only difference in this form of the game is that the three court cards, K Q J, have a pip value, and may be used in combining and building, whereas in the ordinary game they can be used only in pairs. The Jack is worth 11, the Queen 12, and the King 13; so that a 9 and 2 can be taken in with a Jack, or a 6 4 and 3 with a King. In the same manner a Queen will win a Jack and Ace, or a King will win a Jack and deuce. The aces are sometimes valued at 14 each. SPADE CASSINO.
Draw a bucket of water For a lady s daughter; One in a bush, Two in a bush, Three in a bush, Four in a bush, And out you go. --Crockham Hill, Kent (Miss Chase). VI. Drawing a bucket of water For my lady s daughter; Put it in a chestnut tree, And let it stay an hour. One of you rush, two may rush, Please, old woman, creep under the bush; The bush is too high, the bush is too low, Please, old woman, creep under the bush. --Hampshire (Miss Mendham). VII. Draw a pail of water For a lady s daughter; Give a silver pin for a golden ring-- Oh pray, young lady, pop under. --Northants (Rev. W.
The three places drawn on the slate above the diagram are for the players each to put down marks or numbers for the games they win, the centre place being for Old Nick, or Old Tom. The object of the game is for each player to occupy three contiguous places in a row or line with either noughts or crosses, and to prevent his opponent from doing so. The diagram is of course empty when play begins. One player commences by putting his mark into either of the vacant places he prefers, the other player then places his in another, wherever he thinks he has the best opportunity to prevent his opponent getting a three, and at the same time to get a three himself; then the first player plays again, and so on alternately until all the squares are occupied, or until one of the players has a three in line. If neither player gets a three, the game is won by Old Nick, and one is scored to his name. In the diagram the result of the game is shown when won by Old Nick. Whichever player first wins a game adds Old Nick s score to his own. In some games Old Nick keeps all he wins for himself, and then most frequently wins the game.--London (A. B.
W. Gregor). XIII. I had a little dog, it shan t bite you, Shan t bite you, shan t bite you, Nor you, nor you, nor you. I had a little cat, it shan t scratch you, Shan t scratch you, nor you, nor you. I wrote a letter to my love, and on the way I dropped it. And one of you have picked it up and put it in your pocket. It wasn t you, it wasn t you, nor you, nor you, but it was _you_. --London (A. B.
|Bells shall ring, cats| | |shall sing. | | 36.| -- | | 37.|We ll all clap hands | | |together. | | 38.| -- | | 39.| -- | | 40.| -- | | 41.| -- | | 42.| -- | | 43.
Conquerors. Contrary, Rules of. Cop-halfpenny. Corsicrown. Cots and Twisses. Course o Park. Crab-sowl. Crates. Cricket. Crooky.
Kit-Cat A game played by boys. Three small holes are made in the ground, triangularly about twenty feet apart, to mark the position of as many boys, each of whom holds a small stick, about two feet long. Three other boys of the adverse side pitch successively a piece of stick, a little bigger than one s thumb, called Cat, to be struck by those holding the sticks. On its being struck, the boys run from hole to hole, dipping the ends of their sticks in as they pass, and counting one, two, three, &c., as they do so, up to thirty-one, which is game. Or the greater number of holes gained in the innings may indicate the winners, as at cricket. If the Cat be struck and caught, the striking party is out, and another of his sidesmen takes his place, if the set be strong enough to admit of it. If there be only six players, it may be previously agreed that three _put outs_ shall end the innings. Another mode of putting out is to throw the Cat home, after being struck, and placing or pitching it into an unoccupied hole, while the in-party are running. A certain number of misses (not striking the Cat) may be agreed on to be equivalent to a put out.
The mere fact of his being an expert at chip shuffling has nothing to do with the game of poker, the accomplishment usually being the result of long experience at the faro table. The reason for the prejudice is that a chip shuffler is usually cold blooded, courageous, and seldom a loser at any game that requires nerve. _=SUGGESTIONS FOR GOOD PLAY.=_ Volumes might be written for the guidance of the poker player without improving his game a particle, unless he possesses at least one of four qualifications: Control over his features and actions; judgment of human nature; courage; and patience. The man whose face or manner betrays the nature of his hand, or the effect of an opponent’s bet or raise, will find everyone to beat his weak hands, and no one to call his strong ones. Unless he is a fair judge of human nature he will never be able to estimate the strength or peculiarities of the players to whom he is opposed, and will fail to distinguish a bluff from an ambuscade. Without courage he cannot reap the full benefit of his good hands; and without patience he cannot save his money in the time of adversity. Of one thing every player may rest assured, and that is that Poker cannot be played by mathematical formulas. Beyond the most elementary calculations of the chances in favour of certain events the theory of probabilities is of no assistance. It is not necessary to call in a mathematician to prove that a player who habitually discards a pair of aces to draw to three cards of a suit will lose by the operation in the long run.
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C raises 50, putting up 85; and D bets everything, 180 more than his blind. A demands a sight for his 35, and C puts up the remainder of his 120, and calls a sight for them. Then D withdraws his superfluous 65, and it is a call. No one has a brelan, so all the hands are shown, and the cards lie thus:-- [Illustration: 🂮 🃉 🃈 +-------+ | B | 🂡 🂭 🂩 |C A| 🃑 🃞 🃙 | D | +-------+ 🂱 🂾 🃝 🂹 ] The point is exactly even for clubs and spades, 40 in each. In case of ties, the dealer, or the player nearest him on the right wins. In this case A wins on account of his position, so clubs is the winning suit, and A has the best card of it. But he can win from C and D only the amount for which he called a sight, _i.e._ 35 counters. He therefore takes down 105 as his share of the pool, leaving 170 to be decided between C and D.
If he has simply forgotten to claim it, he cannot amend the error after his adversary has played to the trick, and the score is lost. To avoid disputes, careful players leave one of the marriage cards face up among their cards, as a reminder that a marriage was claimed in that suit, either by the player with the card turned, or by his adversary. _=Counting.=_ A player is not allowed to make any record of his progress toward sixty-six, but must keep his count mentally. It is highly important to keep both your own and your adversary’s count, in order that you may always know how many each of you wants to reach 66. A player is not allowed to go back over his tricks to refresh his memory, and if he looks at any trick but the last one turned and quitted, he loses the privilege of “closing.” All _=irregularities=_ in playing and drawing are governed by the same rules as in Binocle. _=The Last Six Tricks.=_ After the stock is exhausted, marriages may still be led or shown, and scored; but the second player in each trick must follow suit if he can, although he is not obliged to win the trick unless he chooses to do so. If all the cards are played, the winner of the last or twelfth trick, counts 10 for it toward his 66.
The Bath game is played by the children standing in two rows facing each other, and clapping hands and singing the verse. At the same time the two children facing each other at the top of the lines join hands and trip down and up between the lines. Their hands are unclasped, and the two children run down the outside of the lines, one running on each side, and meet at the bottom of the lines, where they stand. The two children now standing at the top proceed in the same way: this is continued until all the children have done the same. A ring is then formed, when the children again clap and sing. Any number can play at this game. In the Epworth version the children range themselves in double rank at one end of the room or playground, and march down to the other end hand in hand. At the bottom they loose hands and divide, the first rank turning right, the second left, and march back in two single files to the other end again, where they re-form as at first, and repeat their man[oe]uvre, singing the verses alternately. The Lincolnshire game is played by the children walking two and two in a circle round one of their companions, singing. The players then stand facing the child in the centre, and place their hands on their partners shoulders.
I seem to remember one trick in which all the stones on the ground had to be picked up at once _where they lay_--scrambled up so to speak. Or it may be (and, in fact, I think it was) that sometimes, to add to the difficulty of the game, we picked up the groups of two, three, and four in Two-ers, Three-ers, and Four-ers in this fashion, instead of first placing them together.--Epworth, Doncaster (C. C. Bell). In Wakefield the set of pot checks, which represents five hucklebones, now consists of four checks and a ball about the size of a large marble. The checks are something like dice, but only two opposite sides are plain, the other four being fluted. The table played on is generally a doorstep, and it is made ready by drawing a ring upon it with anything handy which will make a mark. There are twelve figures or movements to be gone through as follows. Some have special names, but I do not learn that all have.
To find the exact spot at which the cue ball must be struck, join the centres of the cue and object balls by an imaginary line A-B. At right angles to this will be a line A-E, and no matter which side of the ball B you wish to massé upon, your cue must strike the ball A somewhere on the line A-E. Suppose you wish to massé to the left, as shown in the diagram. The pinch must be made on the ball about a quarter from the top, the cue being pointed in the direction in which you want the ball to go, which will be to the extreme edge of B, on the line C-D. The cue must be held at an angle of about 70 degrees. A firm but light blow with a well chalked cue will pinch your ball toward E; but the direction of the cue will propel it toward D. If the cue has been held at the right angle, and you have not struck too hard, the ball will feel the effect of these two forces equally, which will make it move toward a point half way between D and E, which will be F. The retrograde motion being stronger than the propulsion of the pinch, will gradually overcome it, and the ball will return toward G. Contact with the ball B will cause it to lose all but the forward motion, and it will roll easily toward H, making the carrom. _=The Side Stroke.
He looked wildly at the doctor. They didn t send her off with the ship, did they? I ll find out right away, said the doctor. He gave Underhill a reassuring squeeze of the shoulder and left the room. The nurse took a napkin off a goblet of chilled fruit juice. * * * * * Underhill tried to smile at her. There seemed to be something wrong with the girl. He wished she would go away. First she had started to be friendly and now she was distant again. It s a nuisance being telepathic, he thought. You keep trying to reach even when you are not making contact.
MDCXCIII.-- _Ascol._ A kind of play wherein boys hopping on one leg beat one another with gloves or pieces of leather, and is called Fox to thy hole. Coles, 7th ed. 1711.-- _Ascol._ The play called Fox to the hole.--_Empus._ Ludus Empusæ. Scotch hoppers, or Fox in the hole.
” Each player has three balls or rolls, and he can leave either one or both dice at the end of any throw. If he leaves one he picks up the other and throws it again, but he must abide by the figures appearing on the two dice at the end of his third throw. Suppose he throws double fives on his first throw; that is a _=strike=_, and is so scored, and the total pips appearing on the two dice at the end of his second throw on the next frame will count on the strike. Suppose he rolls five-deuce the first time. He leaves the five and rolls the other die again, getting another five. That is a _=spare=_, and the total pips on his first throw on the next frame will count on the spare. If he does not get a spare, it is a _=break=_, and the total pips on his two dice at the end of his third throw are scored. It is usual to take up anything but fives on the first throw, on the chance of getting a spare. If a spare is not thrown on the second throw, most players leave anything as good as threes, and always leave fours; but ace and treys are always thrown again. BASE BALL WITH DICE.
The four who cut the lowest cards play first, and cut again to decide on partners; the two lowest play against the two highest; the lowest is the dealer, who has choice of cards and seats, and, having once made his selection, must abide by it. 17. When there are more than six candidates, those who cut the two next lowest cards belong to the table, which is complete with six players; on the retirement of one of those six players, the candidate who cut the next lowest card has a prior right to any aftercomer to enter the table. CUTTING CARDS OF EQUAL VALUE. 18. Two players cutting cards of equal value, unless such cards are the two highest, cut again; should they be the two lowest, a fresh cut is necessary to decide which of those two deals. 19. Three players cutting cards of equal value cut again; should the fourth (or remaining) card be the highest, the two lowest of the new cut are partners, the lower of those two the dealer; should the fourth card be the lowest, the two highest are partners, the original lowest the dealer. CUTTING OUT. 20.
If you make a throw which will not take off a man, do not move two men, but move up and take off one man if possible. _=Chances.=_ Some players profess to attach great importance to the chances of the dice, but such matters are of little practical value except in a general way. It may be interesting to know that the odds were thirty-five to one against a certain throw, but that knowledge does not prevent your adversary from winning the game. It should always be remembered that it is more difficult for your adversary to hit a man that is very close to him or very far from him, than one that is about half way. The odds against being hit by a given number, either on one or on both dice, are given in the margin. The throws given in the second column cannot be made without counting both dice, and a player is therefore safer when it takes “double dice” to hit him. +------------------+-------------------+ |_Single Die._ |_Double Dice._ | | 25 to 11 ag’st 1 | 30 to 6 ag’st 7 | | 24 to 12 ag’st 2 | 30 to 6 ag’st 8 | | 22 to 14 ag’st 3 | 31 to 5 ag’st 9 | | 21 to 15 ag’st 4 | 33 to 3 ag’st 10 | | 21 to 15 ag’st 5 | 34 to 2 ag’st 11 | | 19 to 17 ag’st 6 | 35 to 1 ag’st 12 | +------------------+-------------------+ LAWS.
Each player thus restores the number of cards in his hand to thirteen. The card which is now on the top of the talon is turned up, and the winner of the next trick must take it, his adversary taking the one under it, as before, and turning up the next. In this manner it will be seen that the winner of each trick must always get a card which is known to his adversary, while the loser of the trick gets one which remains unknown. When the talon is exhausted, the thirteen cards in each hand should be known to both players if they have been observant, and the end game becomes a problem in double dummy. _=STAKES.=_ The game is usually played for so much a point, the player having won the majority of the tricks receiving the difference between the number of his tricks and those of his adversary. Each game is complete in one hand. In many respects the game resembles single-handed Hearts, except that in Hearts none of the cards drawn are shown. CHINESE WHIST. _=CARDS.
His aim is to escape. To effect this he rushes with all his force, increased by a run, against the joint hands of any two of the players. If the rush does not unloose the grasp, he hangs on the two arms with all his weight, pressing and wriggling. If he fails he makes a rush at another two, always selecting those players he thinks weakest. When he does break through he rushes off at the top of his speed, with all the players in full cry, till he is caught and brought back. The game begins anew with another boy as Tod.--Keith (Rev. W. Gregor). See Bull in the Park, Frog in the Middle.
=_ If any player held an Ace and a 10 in his hand, he could increase the 9 build to a 10 build, by putting his Ace on the 7 and 2, and announcing the total value, “Ten.” Any following player would then be unable to win the build with anything but a 10, and the player who originally built it a 9 would lose it unless he also held a 10 in his hand. Should the build remain a 9 until it came round again to the player who originally built it, he could then take it in with his 9, or he might himself increase it to 10, if he had an Ace and a 10 in his hand; but in order to do this the player must have in his hand the cards to win both the original and the increased builds. A player holding in his hand a 10, 3 and 2, but no 8, could not build a 5 on the table to an 8, and afterward advance it to 10. He must have the 2 3 8 and 10 all in his own hand to do this. Some players imagine that a player cannot increase his own build in this manner, even if he has both the cards for the first and last build; but there is no reason why a player should be denied a privilege which is freely granted to his adversary. If any player can legitimately make or increase a build, all may do so, provided they have the proper cards. _=Double Builds.=_ When two cards of the same denomination, or two builds of the same value are put together as one, they cannot be increased. For instance: A player holds 7 and 3, and there are upon the table a 5 2 and 4.
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Actually he had not yet had time to move a muscle when the Lady May struck back at their enemy. Five evenly spaced photonuclear bombs blazed out across a hundred thousand miles. The pain in his mind and body vanished. [Illustration] He felt a moment of fierce, terrible, feral elation running through the mind of the Lady May as she finished her kill. It was always disappointing to the cats to find out that their enemies whom they sensed as gigantic space Rats disappeared at the moment of destruction. Then he felt her hurt, the pain and the fear that swept over both of them as the battle, quicker than the movement of an eyelid, had come and gone. In the same instant, there came the sharp and acid twinge of planoform. Once more the ship went skip. He could hear Woodley thinking at him. You don t have to bother much.
Here s a prisoner we have got, We have got, we have got, Here s a prisoner we have got, A nice young lady. How many pounds to set her free, Set her free, set her free, How many pounds to set her free, A nice young lady? A hundred pounds to set her free, Set her free, set her free, A hundred pounds to set her free, A nice young lady. A hundred pounds we cannot give, We cannot give, we cannot give, A hundred pounds we cannot give, A nice young lady. Then to prison she must go, She must go, she must go, Then to prison she must go, A nice young lady. If she goes we ll go too, We ll go too, we ll go too, If she goes we ll go too, A nice young lady. Round the meadows we will go, We will go, we will go, Round the meadows we will go, A nice young lady. --Settle, Yorks. (Rev. W. S.
=_ Three of one kind, and two useless cards. [Illustration: 🃉 🂹 🃙 🂭* 🂢*] 46 to 1 _=Straight.=_ All five cards in sequence, but of various suits. [Illustration: 🃉 🂸 🃗 🃆 🂥] 254 to 1 _=Flush.=_ All five cards of one suit, but not in sequence. [Illustration: 🂡 🂮 🂨 🂥 🂣] 508 to 1 _=Full Hand.=_ Three of one kind, and two of another kind; no useless cards. [Illustration: 🃅 🂥 🃕 🂽 🂭] 693 to 1 _=Fours.=_ Four cards of one kind, and one useless card. [Illustration: 🃆 🂦 🃖 🂶 🂾*] 4164 to 1 _=Straight flush.
There are 35 points to be played for in every deal. The six highest cards in each suit, 3 2 A K Q J, have a counting value, the Ace being worth 3, and the others 1 each. The last trick counts 3. _=Declaring.=_ The eldest hand examines his cards and determines whether or not he will _=stand=_; that is, play single handed against the two others. If not, he says “_=pass=_,” and the next player decides. If all three pass, the deal is void, and passes to the next player on the left. If any player stands, he asks for the 3 of any suit he pleases, and if either adversary holds it, he must give it up. If it is in the stock, the player cannot ask for any other card. If he has all four 3’s in his hand he may ask for a 2, but for no lower card.
I turned my back to the rattle of cocktail shakers and chink of glasses, one heel hooked over the replica brass rail, and took a long careful look at the crap tables. There was a job for me at one of them. I began to shut out the distractions of sight and sound. I wanted nothing to dull my PSI powers. A blond bombshell slithered down the bar and ground herself against my leg. Wanna buy me a drink, honey? she gasped. I smuggled a lift and slipped all four of her garters off the tops of her hose. A funny, stricken look replaced the erotic face she had made at me. She headed for dry dock. B-girls usually work in pairs, so I looked down toward the other end of the polished mahogany.
[Illustration] If the cue is held nearly level with the surface of the table the ball will be pushed or rolled along; but if the cue is held perpendicularly, and the ball is struck directly on the top, the ball will be _=pinched=_ to the table, as in the first figure in the margin, and will not move. If the ball is struck off the centre, as in the second figure, it will travel only a short distance, as a result of the cue’s being forced past it toward the cloth, and will then return with a very strong retrograde motion after touching the object ball. If the cue strikes too near the top, the pinch will be too strong for the cue ball to reach the object ball, and if the cue is not held perpendicularly, the ball will not return. If the cue points toward the centre of the ball, as in the third figure, the ball will be driven forward, without any tendency to return after striking the object ball. The latter shot is useful in making a “close follow,” to avoid making a foul. _=The Force Shot.=_ The beginner at billiards should strike his ball always exactly in the centre, until he learns the angles. With moderate strength the effect of the stroke is to cause the ball to roll naturally along the cloth until it reaches the object ball, after which it will be deflected from its original course according to the angle at which the object ball is struck. If the cue ball is struck very hard, however, and very slightly below the centre, it will slide for a certain distance before beginning to roll, and if it reaches the object ball before this sliding motion ceases it will simply come to a stop, or go off at a right angle if the object ball is not struck exactly in the centre. This method of forcing a ball to go off at a right angle is called “screwing” in England.
It is 24 to 1 against making a straight by drawing to three cards of it, open at both ends. It is 12 to 1 against making either a straight or a flush by drawing to three cards of a straight flush, open at both ends. _=HOW TO WIN AT POKER.=_ There have been many alleged infallible receipts for winning at Poker. Proctor thought that refusing to go in on less than triplets would prove a certainty; but in the same paragraph he acknowledges that the adversaries would soon learn the peculiarity, and avoid betting against the player. Triplets before the draw occur about once in every 45 hands. If five were playing, a person following Proctor’s advice would have to blind 9 times, and ante in at least 12 jack pots in every 45 hands, to say nothing of fattening. This means an outlay of at least 75 counters. When the triplets come, will he get back 75 counters on them? He will probably win the blind, and one or two antes; but the moment he makes his own ante good, every player who cannot beat triplets, knowing his system, will lay down his hand. An extensive observation of the methods of the best players has led the author to the conclusion that the great secret of success in Poker, apart from natural aptitude for the game, and being a good actor, is to _=avoid calling=_.