_=DEALING.=_ It is usual for the dealer to invite his adversary to shuffle the cards, but if two packs are used this is not necessary. The dealer must shuffle the pack and present it to his adversary to be cut. At least two cards must be left in each packet, and the upper part of the pack must be placed nearer the dealer. Five cards are given to each player, and the eleventh is turned up for the trump. The cards are distributed two and three at a time, or three and then two, and in whichever manner the dealer begins he must continue during the game. If he intends to change his manner of dealing in the following game, he must so advise his adversary when presenting the cards to be cut. _=MISDEALING.=_ A player dealing out of turn, or with the wrong cards, may be stopped before the trump is turned. But if the trump has been turned, and neither player has discarded or played to the first trick, the pack must be set aside, with the cards as dealt, and the trump turned, to be used for the ensuing deal.
Sequences outrank one another according to the best card, if they are of equal length; so that a quinte to a King would be better than a quinte to a Queen; but a longer sequence always outranks a shorter one, regardless of the high cards. The player holding the best sequence is entitled to score it, together with any inferior sequences he may hold in other suits. Should his adversary hold intermediate sequences, they are of no value. For instance: One player holds a quinte to the Jack in spades, a tierce to the Ten in hearts, and a tierce to the Nine in clubs; while the other holds a quatrième majeure (A K Q J) in hearts, diamonds, and clubs. None of the latter are of any value; but all those in the other hand are good. If the best sequence is a tie, no sequences can be scored by either player. The value of a sequence is ten more than the number of cards that go to form it, provided that number exceeds four. A tierce counts 3 only, and a quatrième 4 only; but a quinte is worth 15, a sixième 16, and so on. _=Fours, and Triplets.=_ Any four cards of the same denomination, higher than a Nine, is called a Quatorze; three of any kind higher than the Nine is called a Trio, or sometimes a Brelan.
1st 2nd 3rd 1 1 1 1 1 0 1 0 1 1 0 0 0 0 0 0 0 1 0 1 0 0 1 1 If the agreement had been to play three games, there would have been eight possible events, one of which must happen but all of which were equally probable. These are shown in the margin. If Smith wins the first game, there are only four possible events remaining; those in which the first game was won. Of these, there are two in which he may win the second game, and two in which he may lose it, showing that it is still exactly an even thing that he will win the second game. If he wins the second game, there are only two possible events, the first two on the list in the margin, which begin with two wins for Smith. Of these he has one chance to win the third game, and one to lose it. No matter how far we continue a series of successive events it will always be found that having won a certain number of games, it is still exactly an even thing that he will win the next also. The odds of 1023 to 1 against his winning ten games in succession existed only before he began to play. After he has won the first game, the odds against his winning the remaining nine are only 511 to 1, and so on, until it is an even thing that he wins the tenth, even if he has won the nine preceding it. In the statistics of 4000 coups at roulette at Monte Carlo it was found that if one colour had come five times in succession, it was an exactly even bet that it would come again; for in twenty runs of five times there were ten which went on to six.
=_ When a person has no card which he can play without making the total pip value of all the cards played more than 31, he must say to his adversary: “Go.” That is, “Go on and play, for I cannot.” If his adversary has no cards left, the player must say “go” to himself. When a person is told to go, he must play as many cards as he can without passing 31. If he reaches 31 exactly, he scores two points; if he cannot quite reach it, he scores one point for the go. The principle is that if 31 cannot be made by either player, the one playing the card that brought the count nearest to it shall count one for it, even if he has told himself to go. There is no count for “last card” if it makes 31. But the “last card” counts if it makes 15. If a player tells another to go when he can still play himself, he forfeits two points, and his adversary may, if he chooses, take back the cards to the point where the error occurred and have them played over again. The same penalty can be enforced against a player who pegs for a go when he can still play.
Get past all his men if possible, especially if he has moved his two men out of your home table. _=The Backward Game.=_ Exactly the opposite tactics are of course the best for the player who is behind. He should keep two or three men in his adversary’s home table, preferably on the ace and deuce points, in the hope of catching some of the enemy, and setting them back. The result of these tactics, if successful, will be to offset the advantage of the adversary’s high throws early in the game, because every man captured not only has to start his journey over again, but is liable to be picked up a second or third time. As it is to the advantage of the forward player to avoid picking up men, the one who is behind can leave blots with great freedom, and may even spread his men so that some of them must be taken up. This intense back game is peculiarly American, for in the English game such tactics would usually result in a gammon, and often in a backgammon, and the player dare not risk so much just to save a hit. In the back game it is very important to spread the men freely, so that they may act as _=catchers=_. [Illustration: +-+-+-+-+-+-++-+-+-+-+-+-+ |⛀|⛀|⛂|⛀|⛀| ||⛂| | | | |⛂| |⛀|⛀|⛂|⛀|⛀| ||⛂| | | | |⛂| |⛀|⛀| | | | || | | | | | | |⛀| | | | | || | | | | | | | | | | | | || | | | | | | | || X X| | || X X| | | | | | | || | | | | | | | | | | | | || | | | | | | | | | | | | || | | | | | | | |⛂| |⛂|⛂|⛂|| | | | | | | |⛂|⛂|⛀|⛂|⛂|⛂|| | | | | | | +-+-+-+-+-+-++-+-+-+-+-+-+ ] In the position shown in the margin, for instance, White has already thrown off three of his men, but one has been caught and set back. It is impossible for Black to win unless he can catch this man again, or capture one or two of those in White’s home table, keeping White from throwing off any more men until Black gets home.
--Lady C. Gurdon s Suffolk _County Folk-lore_, p. 64. [Repeat this for left hand, right foot, left foot, heads, and put yourselves in. ] VI. Can you dance looby, looby, Can you dance looby, looby, Can you dance looby, looby, All on a Friday night? You put your right foot in, And then you take it out, And wag it, and wag it, and wag it, Then turn and turn about. --Addy s _Sheffield Glossary_. VII. Here we dance luby, luby, Here we dance luby light, Here we dance luby, luby, All on a Wednesday night. --Ordsall, Nottinghamshire (Miss Matthews).
398)-- Sometyme the one would goe, sometyme the other, Sometymes all thre at once, and sometyme neither; Thus they with him play at boyes blynde-man-bluffe. --_The Newe Metamorphosis_, 1600, MS. Other names for this game are Belly Mantie, Billy Blind, Blind Bucky Davy, Blind Harie, Blind Hob, Blind Nerry Mopsey, Blind Palmie, Blind Sim, Buck Hid, Chacke Blynd Man, Hoodle-cum-blind, Hoodman Blind, Hooper s Hide, Jockie Blind Man. (_d_) There is some reason for believing that this game can be traced up to very ancient rites connected with prehistoric worship. The name Billy Blind denoted the person who was blindfolded in the game, as may be seen by an old poem by Lyndsay, quoted by Jamieson: War I ane King I sould richt sone mak reformatioun Farlyeand thairof your grace sould richt sone finde That Preistis sall leid yow lyke are bellye blinde. And also in Clerk s _Advice to Luvaris_: Sum festnit is and ma not flé, Sum led is lyk the belly blynd With luve, war bettir lat it be. [Illustration] It is probable, says Jamieson, that the term is the same as Billy Blynde, said to be the name of a familiar spirit or good genius somewhat similar to the brownie. Professor Child identifies it with Odin, the blind deity. Another name in Scotland is also Blind Harie, which is not the common Christian name Harry, because this was not a name familiar in Scotland. Blind Harie may therefore, Jamieson thinks, arise from the rough or hairy attire worn by the principal actor.
, in 1610. Strutt (_Sports and Pastimes_, p. 96) gives two illustrations of what he considers to be baloon ball play, from fourteenth century MSS. Bandy-ball A game played with sticks called bandies, bent and round at one end, and a small wooden ball, which each party endeavours to drive to opposite fixed points. Northbrooke in 1577 mentions it as a favourite game in Devonshire (Halliwell s _Dict. of Provincialisms_). Strutt says the bat-stick was called a bandy on account of its being bent, and gives a drawing from a fourteenth century MS. book of prayers belonging to Mr. Francis Douce (_Sports_, p. 102).
This does not win the game; but the 20 points are debited and credited on the score-sheet; the deal passes to the left, and the game proceeds with the score still 4 all, as if nothing had happened. _=SCORING.=_ The number of points won on each game are put down on the score-sheet, each side being credited with the number of points appearing on their markers when the game is finished. To the winners’ score is added: 3 points, for a triple game, if their opponents have not scored; 2 points, for a double game, if their opponents are not half way, or 1 point, for a simple game, if their opponents are 3 or 4. In addition to this, the winners add 4 points, for bonus or consolation, in every instance. From the total thus found must be deducted whatever points have been scored by the losers, whether game points, slams, or both. For instance: Vivant and Mort win a game with the score 8 to 2 in their favor, which is a double. This is put down on the score sheets thus:-- 8 + 2 for the double, + 4 consolation, = 14, minus 2 scored by the opponents; making 12 the net value of the game. Vivant therefore wins 24 points, and each of the adversaries, R and L, lose 12. Again:-- R and L win a simple with a score of 5 to 4, V and M having made a slam.
Two persons or sides play with three dice. The object of the game is to secure pips on the dice, or multiples of pips, which will make the figures from 1 to 12 in numerical order, and afterward the numbers from 12 to 1 again. The first side to accomplish this wins the game. There must be an ace in the first throw or nothing counts; that obtained, any following numbers may be made singly, or by adding two or more together. Suppose the first throw is 4, 2, 1. The 1 and 2 will make 1, 2 and 3. Then the 4, 1, 2 will make 4, 5, 6 and 7. Each side continues to throw until it fails to score, when the box must be passed to the adversary. If a combination is overlooked by one side, the other may count it if it continues the sequence on their side. HELP YOUR NEIGHBOUR.
Long Suits=_; | T| _=No. 3. Short Suits=_; ♡5 turned. | R| ♡Q turned. | I| --------------------------------+ C+-------------------------------- A Y B Z | K| A Y B Z +-------+-------+-------+-------+--+-------+-------+-------+-------+ | _♣K_ | ♣5 | ♣7 | ♣3 | 1| Q♢ | K♢ | _A♢_ | 2♢ | | ♡10 | ♡J | _♡Q_ | ♡5 | 2| 2♠ | _A♠_ | J♠ | 5♠ | | _♣Q_ | ♣J | ♣2 | ♣10 | 3| 4♢ | 10♢ | 3♢ | _J♢_ | | ♡7 | ♡3 | _♡9_ | ♡8 | 4| ♡2 | ♡5 | ♡3 | ♡Q | | _J♠_ | 9♠ | 2♠ | 5♠ | 5| ♡6 | _♡A_ | ♡4 | ♡J | | ♣A | ♡4 | _♡6_ | 5♢ | 6| ♣8 | ♣2 | ♣3 | ♣K | | 4♠ | _♡K_ | A♠ | 6♠ | 7| _♡7_ | 8♢ | 5♢ | 7♢ | | J♢ | 7♢ | 2♢ | _K♢_ | 8| _♡K_ | 4♠ | 6♢ | ♡9 | | _♡2_ | 3♢ | 4♢ | A♢ | 9| _K♠_ | 7♠ | 6♠ | 8♠ | | _♣9_ | 6♢ | 3♠ | 8♢ |10| _Q♠_ | ♣4 | ♣5 | 10♠ | | _♣8_ | 9♢ | 7♠ | 8♠ |11| 9♠ | ♣Q | ♣6 | ♡10 | | _♣6_ | 10♢ | K♠ | 10♠ |12| _♡8_ | 9♢ | ♣7 | ♣J | | _♣4_ | Q♢ | _♡A_ | Q♠ |13| _3♠_ | ♣A | ♣10 | ♣9 | +-------+-------+-------+-------+--+-------+-------+-------+-------+ --------------------------------+ +-------------------------------- _=No. 2. American Game=_; | T| _=No. 4. Play to Score=_; ♡8 turned. | R| ♡J turned.
After he has played his card and also after he has turned it, he must quit it by removing his hand. SEC. 2. The cards must be left in the order in which they were played and quitted until the scores for the deal are recorded. SEC. 3. During the play of a deal a player must not pick up or turn another player’s card. SEC. 4. Before a trick is turned and quitted any player may require any of the other players to show the face of the card played to that trick.
Fig. 7. Fig. 8. Fig. 9. Fig. 10.] From Crockham Hill, Kent, Miss Chase sends four versions. In the first plan (fig.
_=A TOURNÉ.=_ A, Vorhand, has refused ten with the following cards, Hinterhand having passed without a bid:-- [Illustration: 🃛 🂻 🂺 🂾 🃑 🃞 🃁 🃇 🂪 🂩 ] A concludes to play a Tourné, and turns the heart ♡ Q, finding the ♢ King in the Skat. He lays out the ♠ 10 and ♠ 9 in the Skat, and expects to make 12 points; a heart Tourné, with one Matadore. The play is given in the margin. A is the player, and is also Vorhand, with the lead for the first trick. Hearts are trumps. A TOURNÉ +---+-------+-------+-------+-----+ | | A | B | C | A | | | | | |wins.| +---+-------+-------+-------+-----+ | 1 | _♣J_ | ♡7 | J♢ | 4 | | 2 | ♡Q | _♡A_ | ♡8 | - | | 3 | _K♢_ | 9♢ | Q♢ | 7 | | 4 | ♡J | _J♠_ | A♠ | - | | 5 | _♡10_ | ♡9 | 7♠ | 10 | | 6 | _A♢_ | ♣7 | 8♢ | 11 | | 7 | 7♢ | K♠ | _10♢_ | - | | 8 | ♣K | _♣10_ | ♣9 | - | | 9 | _♡K_ | Q♠ | 8♠ | 7 | |10 | _♣A_ | ♣Q | ♣8 | 14 | +---+-------+-------+-------+ + | ♠10 and ♠9 in the Scat. | 10 | +---------------------------+-----+ | A wins 63 | +---------------------------------+ The manner in which A exhausts the trumps, and makes both his Ace and King of diamonds, should be carefully studied. At trick 8, if he put on the ace of clubs, B might have the 8, and he would lose both his King and the Queen on the Ten, giving him only 60 points.
Partners are chosen, and the two walk round outside the ring. The first two walk together till there is a third, then the three walk together till there is a fourth, then they go in couples. In the Northants version, from Raunds, four boys stand in the centre of the ring. When the verses are sung they choose four girls, and then take their places in the ring. The four girls then choose four lads, and so on. At Earls Heaton the children stand against a wall in a line. Another child walks up and down singing the verses, and chooses a partner. He spreads a handkerchief on the ground, and they kneel and kiss. (_c_) The Shipley version is a Kiss in the Ring game. A version sent by the Rev.
Each dealer in turn adds two more; revokes pay five, and leads out of turn three. The player who first succeeds in winning five tricks on a nap bid takes the pool, and a fresh one is formed. If a player bids nap and fails, he is usually called upon to double the amount then in the pool, besides paying his adversaries. _=Purchase Nap=_; sometimes called _=Écarté Nap=_, is a variation of the pool game. After the cards are dealt, and before any bids are made, each player in turn, beginning on the dealer’s left, may discard as many cards as he pleases, the dealer giving him others in their place. For each card so exchanged, the player pays one counter to the pool. Only one round of exchanges is allowed, and bids are then in order. A player having once refused to buy, or having named the number of cards he wishes to exchange, cannot amend his decision. Any player winning five tricks on a nap bid takes the entire pool. This is a very good game, and increases both the bids and the play against them.
There being six cards in each hand, with the starter, the counting combinations sometimes run into high figures, and it is therefore usual to play the game 121 or even 181 points up. * * * * * There are no authoritative _=LAWS=_ for Cribbage, but the foregoing descriptions contain all the regulations in force at the best clubs. TEXT BOOKS. The Cribbage Player’s Handbook, by Walker. Bézique and Cribbage, by Berkeley. Pocket Guide to Cribbage, by “Cavendish.” Bohn’s Handbook of Games. Cribbage, by Rawdon Crawley. Dick’s Handbook of Cribbage. PIQUET.
The same will be true of every man. Indicators are placed on the tables to show players their successive positions. The numbers represent the husbands, and the letters the wives, the couples being a-1, b-2, etc. The couple a-1 always sit still; the ladies go to the next higher letter of the alphabet, and the men to the next higher number; _=h=_ going to _=b=_, as _=a=_ sits still; and 8 to 2. [Illustration: N N N N +-----+ +-----+ +-----+ +-----+ | 6 | | 3 | | f | | c | W|a 1 2|E W|d 2 8|E W|1 3 b|E W|4 4 h|E | g | | e | | 6 | | 5 | +-----+ +-----+ +-----+ +-----+ S S S S ] One hand is dealt at each table, and overplayed at each of the others. A different point of the compass should deal at each table, in order to equalise the lead. _=Scoring.=_ The score of each four hands should be added up by each individual player, and the results tabulated at the end of every four hands, in the manner described for eight individuals. The winner is the player who loses the fewest tricks. This is the only known system for deciding whether or not a man can play whist better than his wife.
This game is commonly played by boys. Any number of boys join hands and stand in a circle to form the Faul. The boy that represents the Tod is placed within the circle. His aim is to escape. To effect this he rushes with all his force, increased by a run, against the joint hands of any two of the players. If the rush does not unloose the grasp, he hangs on the two arms with all his weight, pressing and wriggling. If he fails he makes a rush at another two, always selecting those players he thinks weakest. When he does break through he rushes off at the top of his speed, with all the players in full cry, till he is caught and brought back. The game begins anew with another boy as Tod.--Keith (Rev.