_=SUGGESTIONS FOR GOOD PLAY.=_ Experience has shown that it pays to keep certain classes of hand in one section, either left to right or up and down. Many players put all the flushes in the vertical columns, and build the pairs, triplets and fours from right to left. Straights are uncertain quantities unless they are flush also and are seldom played for. Each card has a double value, and it may help to make up two hands of high scoring power, if well placed. The highest possible point value for a tableau would probably be five hands of four of a kind and five straight flushes, four of which would be royal, like this: [Illustration: đą đ đ đĄ đ đž đ đ đŽ đ đ˝ đ đ đ đ đť đ đ đŤ đ đş đ đ đŞ đ ] The odds against the cards coming from the stock in such order as to make a tableau like this possible would be enormous, but there are many sets of twenty-five cards that can be rearranged so as to make a much higher count than that actually arrived at in the solitaire. The playerâs skill consists in anticipating the possibilities that certain cards will be drawn and in so arranging his table that if the hoped for card comes out, the most advantageous place will be found open for it. _=TWO OR MORE PLAYERS.=_ Any number can play this game, the only limitation being the number of packs available and space enough on the table for each one to lay out his own tableau. One player is selected as the âcallerâ and he shuffles his pack and presents it to be cut.
She stayed unconscious. Then I felt it. Her heart muscle tugged back at my lift. It was struggling to beat on its own. I matched my lifts to its ragged impulses, feeling it steady to a normal seventy-two as the antidote took effect. Her eyes opened at last, and we stopped respiration. Billy Joe! she smiled. She was back from the dead. * * * * * In an hour we had returned to the motel. She was as good as new, but badly shaken.
The Ball--The ball shall not exceed 5½ inches in diameter in any direction, but smaller balls may be used. A FEW DONâTS. Donât try to learn in a day. Donât use too much speed at first. Donât grip the ball too tight. Donât loft the ball. Donât play the side ball until you have mastered the centre delivery. Donât swing the ball more than once before delivering it. Donât start with a jump; walk one and run two steps. Donât deliver the ball with the right foot in front.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Little Wars; a game for boys from twelve years of age to one hundred and fifty and for that more intelligent sort of girl who likes boys games and books. Author: H. G. Wells Release date: January 1, 2003 [eBook #3691] Most recently updated: January 8, 2021 Language: English Credits: Produced by Alan D. Murray, William Jenness, and Andrew Sly. HTML version by Al Haines. *** START OF THE PROJECT GUTENBERG EBOOK LITTLE WARS; A GAME FOR BOYS FROM TWELVE YEARS OF AGE TO ONE HUNDRED AND FIFTY AND FOR THAT MORE INTELLIGENT SORT OF GIRL WHO LIKES BOYS GAMES AND BOOKS. *** Produced by Alan D. Murray, William Jenness, and Andrew Sly.
Where s the wood? Fire burnt it. Where s the fire? Moo-cow drank it. Where s the moo-cow? Butcher killed it. Where s the butcher? Eating nuts behind the door, and you may have the nutshells. --London (Miss Dendy, from a maid-servant). II. Please, mother, may I go a-maying? Why, daughter, why? Because it is my sister s birthday. Make three pretty curtseys and walk away. Where is your may? I met puss, and puss met me, and puss took all my may away. Where is puss? Run up the wood.
The blood will run over the threshold. I ll wrap them up in a blanket. The blood will run through. This enrages the Mother, and she pushes her way into the supposed house, and looks about, and calls her children. She goes to one and says-- This tastes like my Monday. The Witch tells her it s a barrel of pork. No, no, this is my Monday; run away home. Upon this Monday jumps up from her crouching or kneeling posture [the children were generally put by the Witch behind some chairs all close together in one corner of the room], and runs off, followed by all the others and their Mother. The Witch tries to catch one, and if successful that child becomes Witch next time.--A.
Mr. Emslie has sent me figs. 9 and 10, also from London streets. Newell (_Games_, p. 188) speaks of it as a well-known game in America. Mr. Elworthy (_West Somerset Words_) says, Several of these (diagrams marked on the ground) are still to be seen, scratched on the ancient pavement of the Roman Forum. Mr. J. W.
The methods of playing misères and spreads have already been described in connection with Boston. When piccolissimo is played, the moment the single player takes more than one trick the hands are thrown up, and the stakes paid. _=REVOKES.=_ The rules governing these and cards played in error, are the same as at Boston. In piccolissimo, the penalties are the same as in misère. _=PAYMENTS.=_ If the caller succeeds in winning the proposed number of tricks, he is paid by each of his adversaries according to the value of his bid, as shown in Table No. 1. Over-tricks if any, and honours, if played, are always paid at the uniform rate of five white counters each. If the caller fails, he must pay each adversary the amount he would have won if successful, with the addition of five white counters for every trick that he falls short of his proposal.
| | | | 36.| -- | -- |Come all ye pretty | | | | |fair maids. | | 37.|So we ll all clap | -- |Come clap your hands | | |hands together. | |together. | | 38.| -- | -- | -- | | 39.| -- |Don t you think [Â Â Â ] | -- | | | |a nice young man? | | | 40.| -- |Don t you think [Â Â Â ] | -- | | | |as handsome as he? | | | 41.| -- |Then off with the | -- | | | |glove, on with the | | | | |ring.
| -- |Silver and gold will | -- | | | |be stole away. | | |19.| -- |Build it up with iron | -- | | | |and steel. | | |20.| -- |Iron and steel will | -- | | | |bend and bow. | | |21.| -- | -- | -- | |22.| -- | -- | -- | |23.| -- |Build it up with wood | -- | | | |and clay. | | |24.
304, draws attention to the illustration, in Richardson s _Expedition to Arctic Shores_ (vol. i. p. 397), of a dance by the Kutchin-Kutcha Indians, a parallel to the name as well as the dance which needs some research in America. See Curcuddie, Hop-frog. Cutters and Trucklers A remembrance of the old smuggling days. The boys divide into two parties; the Trucklers try to reach some given point before the Cutter catches them.--Cornwall (_Folk-lore Journal_, v. 60). Dab Dab a prin in my lottery book; Dab ane, dab twa, dab a your prins awa .
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It is usual to take up anything but fives on the first throw, on the chance of getting a spare. If a spare is not thrown on the second throw, most players leave anything as good as threes, and always leave fours; but ace and treys are always thrown again. BASE BALL WITH DICE. There are two forms of this game. In the simpler any number of persons may play, and three dice are used. Each player throws in turn, the three dice representing his three strikes. Nothing but aces count, but each of them is a run; and as long as a player makes runs he goes on throwing. When each player has had nine innings the game is ended, and the highest score wins. The more complicated form of the game is to have a rough diagram of a base-ball diamond. The players take sides, and each is provided with three markers of different colours, such as red and white poker chips.
They were young. They were good. But they had limitations. So much depended on the choice of Partners, so much on the sheer luck of who drew whom. THE SHUFFLE Father Moontree and the little girl named West entered the room. They were the other two pinlighters. The human complement of the Fighting Room was now complete. Father Moontree was a red-faced man of forty-five who had lived the peaceful life of a farmer until he reached his fortieth year. Only then, belatedly, did the authorities find he was telepathic and agree to let him late in life enter upon the career of pinlighter. He did well at it, but he was fantastically old for this kind of business.
[See note at foot of page 58.] _=RANK OF THE BIDS.=_ In order to over-call a previous bid, whether of the partner or the opponent, the bidder must undertake to win the same number of tricks in a suit of higher value, or a greater number of tricks having the same aggregate value as the preceding bid. Players should restrict themselves to the same form of expression throughout, and all bids, even passing, must be made orally and not by gesture. Let us suppose this to be the bidding: The dealer, Z, begins with âOne spade,â second player, A, says, âI pass,â or simply, âNo.â Third bidder, Y, says, âOne club,â fourth player, B, âNo trump.â The dealer, starting on the second round, says, âTwo clubs,â supporting his partnerâs declaration. Next player, A, who passed the first time, says, âTwo royals.â Both Y and B pass, but the dealer, Z, says, âThree clubs.â Observe that while three clubs is worth no more than two royals, 18, the club bid offers to win more tricks than the royals and therefore ranks as a higher bid.
The ace is highest in cutting and in play. Whist-players, who have taken up Cinch as a side issue, are in the habit of making the ace lowest in cutting; but such a practice is out of harmony with all other members of the Seven-up family of games. _=COUNTERS.=_ The score is usually kept on a sheet of paper; but it is more convenient to provide each side with 8 red and 11 white counters, representing 51 points; the whites being worth 1, and the reds 5 each. A good pull-up cribbage board is still better. [Illustration: PULL-UP GAME COUNTER.] _=PLAYERS.=_ Any number from two to six can play; but the regular game is for four persons, two of whom are partners against the other two. The player on the dealerâs left is the _=eldest hand=_; on the dealerâs right is the _=pone=_. _=CUTTING.
I m come to court Janet jo, Janet jo, Janet jo, I m come to court Janet jo, Janet, my jo. Goodwife sings--What ll ye gie for Janet jo, Janet jo, Janet jo? What ll ye gie for Janet jo, Janet, my jo? Wooer--I ll gie ye a peck o siller, A peck o siller, peck o siller, I ll gie ye a peck o siller, For Janet, my jo. Goodwife says--Gae awa , ye auld carle! Then sings--Ye se never get Janet jo, Janet jo, Janet jo, Ye se never get Janet jo, Janet, my jo. The wooer hereupon retires, singing a verse expressive of mortification, but soon re-enters with a reassured air, singing-- I ll gie ye a peck o gowd, A peck o gowd, a peck o gowd, I ll gie ye a peck o gowd, For Janet, my jo. The matron gives him a rebuff as before, and he again retires discomfited, and again enters, singing an offer of twa pecks o gowd, which, however, is also refused. At his next entry he offers three pecks o gowd, at which the good wife brightens up and sings-- Come ben beside Janet jo, Janet jo, Janet jo, Ye re welcome to Janet jo, Janet, my jo. The suitor then advances gaily to his sweetheart, and the affair ends in a scramble for kisses.--_Popular Rhymes_, pp. 141, 142. On the other hand, it must not be overlooked that this game-drama and the game of Janet Jo have no connection beyond the name of the heroine and the wooing incident; so that the borrowing, if borrowing there be, might have been by Scotland, who improved the commonplace Jenny Jones into the pretty sweetness of her Scottish namesake.
Where s the cows going to lie? Lie in the pig-sty. Where s the pig going to lie? Lie in the dolly-tub. And what am I to wash in? Wash in a thimble. A thimble wunna hold a cap. Wash in an egg-shell. An egg-shell wunna hold a shirt. Wash by the river-side. Suppose the clothes should float away? Get a boat and fetch them back. Suppose the boat should overthrow? Serve you right for going after them! --Berrington, Oswestry, Chirbury (Burne s _Shropshire Folk-lore_, p. 515).
=_ The best thing for the third hand, or pone, to do, when he does not return his partnerâs suit, and has no very strong suit of his own, is to lead up to Dummyâs weak suits, and to lead a card that Dummy cannot beat, if possible. The general principle of leading up to weakness suggests that we should know what weakness is. Dummy may be considered weak in suits of which he holds three or four small cards, none higher than an 8; Ace and one or two small cards; or King and one or two small cards. In leading up to such suits, your object should be to give your partner a finesse, if possible; and in calculating the probabilities of success it must be remembered that there are only two unknown hands, so that it is an equal chance that he holds either of two unknown cards. It is 3 to 1 against his holding both, or against his holding neither. Of three unknown cards, it is 7 to 1 against his holding all three, or none of them; or about an equal chance that he holds two of the three; or one only. If Dummy holds any of the weak suits just given, you holding nothing higher than the Ten, you should lead it. Suppose you have 10 9 6; Dummy having A 3 2. The K Q J may be distributed in eight different ways, in any of which your partner will pass your Ten if second hand does not cover. In four cases, second hand would cover with the King, and in one with the Queen and Jack.
The only difference in all the versions I have collected being in the number of the different positions to be performed, most of them being for right hands, left hands, right feet, left feet, and heads; others, probably older forms, having ears, yourselves, &c. One version, from Eckington, Derbyshire, curiously begins with washing hands and face, combing hair, &c., and then continuing with the Looby game, an apparent mix-up of Mulberry Bush and Looby. Three more versions, Sporle, Cornwall, and Dorsetshire, also have different beginnings, one (Dorsetshire) having the apparently unmeaning I love Antimacassar. (_d_) The origin and meaning of this game appears somewhat doubtful. It is a choral dance, and it may owe its origin to a custom of wild antic dancing in celebration of the rites of some deity in which animal postures were assumed. The Hexham version, Here we come louping [leaping] may probably be the oldest and original form, especially if the conjecture that this game is derived from animal rites is accepted. The term looby, lubin, or luby does not throw much light on the game. Addy (_Sheffield Glossary_) says, Looby is an old form of the modern lubber, a clumsy fellow, a dolt. That a stupid or ridiculous meaning is attached to the word looby is also shown by one of the old penances for redeeming a forfeit, where a player has to lie stretched out on his back and declare, Here I lie The length of a looby, The breadth of a booby, And three parts of a jackass.
A guarded King suit should not be led under any circumstances; nor a short suit Ace high. If an adversary has a single trump of medium size, such as a J or 10, it is often good play to trump a partnerâs winning cards, so as to be sure of preventing the caller from making a small trump. If an adversary has trumped or over-trumped, it is very important to lead that suit to him again as soon as possible. The rules for discarding that are given in connection with Whist should be carefully observed; especially in the matter of showing command of suits. _=SPREADS.=_ These should not be called except with hands in which every suit contains the deuce, and all the cards are low enough to insure the player that nothing short of extraordinary circumstances will defeat him. Open sequences, or Dutch straights, as they are sometimes called, in which the cards are all odd or all even, such as 2 4 6 8 10, are quite as safe as ordinary sequences, provided the deuce is among the cards. The player calling a spread must remember that it will be impossible for him to get any discards after the first trick without the consent of the adversaries; for they will not lead a suit of which they see he is void. In order to reduce the callerâs chances of a discard on the opening lead, before his cards are exposed, the adversaries should select their shortest suits, unless they have a bottom sequence to the deuce. _=THE SLAM.
Both gentlemen then went to the fiddler s corner, and after the cushion-bearer had put a coin in the vessel carried by the other, the fiddler struck up a lively tune, to which the young men began to dance round the room, singing or reciting to the music:-- Frinkum, frankum is a fine song, An we will dance it all along; All along and round about, Till we find the pretty maid out. After making the circuit of the room, they halted on reaching the fiddler s corner, and the cushion-bearer, still to the music of the fiddle, sang or recited:-- Our song it will no further go! The Fiddler: Pray, kind sir, why say you so? The Cushion-bearer: Because Jane Sandars won t come to. The Fiddler: She must come to, she shall come to, An I ll make her whether she will or no. The cushion-bearer and vessel-holder then proceeded with the dance, going as before round the room, singing Frinkum, frankum, &c., till the cushion-bearer came to the lady of his choice, before whom he paused, placed the cushion on the floor at her feet, and knelt upon it. The vessel-bearer then offered the cup to the lady, who put money in it and knelt on the cushion in front of the kneeling gentleman. The pair kissed, arose, and the gentleman, first giving the cushion to the lady with a bow, placed himself behind her, taking hold of some portion of her dress. The cup-bearer fell in also, and they danced on to the fiddler s corner, and the ceremony was again gone through as at first, with the substitution of the name of John for Jane, thus:-- The Lady: Our song it will no further go! The Fiddler: Pray, kind miss, why say you so? The Lady: Because John Sandars won t come to. The Fiddler: He must come to, he shall come to, An I ll make him whether he will or no! The dancing then proceeded, and the lady, on reaching her choice (a gentleman, of necessity), placed the cushion at his feet. He put money in the horn and knelt.
Schwarz announced, 5. These numbers are added to the number of Matadores, and the total thus found is multiplied by the unit value of the game. For instance: A player has obtained the privilege of playing on a bid of thirty. His game is a Solo in hearts, in which he holds the three highest Matadores and announces schneider in advance. His game multiplier is therefore 3 (for the announced schneider), to which he adds 3 more for the Matadores, 6 altogether. The unit value of a heart Solo being 10, he could have gone on bidding to 60 had it been necessary, and he will win 60 from each of his adversaries if he succeeds in reaching 91 points in the counting cards he takes in in his tricks, together with what he finds in the Skat. If his adversaries got to 30 with their counting cards, he would have lost 60 to each of them, although he bid only 30, because he announced his game as schneider, and did not make it. Had he not announced the schneider, and reached 91 or more in his counting cards, he would have won a game worth 50, losing the extra multiplier by not announcing the schneider in advance; for a schneider made without announcing it is worth only 2. In reckoning the value of a game it is always safer to bid on playing âwithâ than âwithoutâ Matadores in a Solo or TournĂŠ; because, although you may have a hand âwithout four,â you may find a Wenzel in the Skat, and if it is the club Jack you lose three multipliers at once. _=BIDDING.
Then follows--] She was coming downstairs with a basin of water, and she fell down and broke her toe, and she s dead. And what shall we dress her in, dress her in, dress her in? And what shall we dress her in? Dress her in red. Red for the soldiers, soldiers, soldiers, Red for the soldiers, and that shan t do. [Then follow blue for the sailors, black for the mourners, and finally--] What shall we dress her in, dress her in, dress her in? What shall we dress her in? Dress her in white. White for the dead people, dead people, dead people, White for the dead people, and that will do. --Auchencairn, Kirkcudbright (A. C. Haddon). XVII. How s poor Jenny jo, Jenny jo, Jenny jo? He s very ill.
A player will sometimes have the best card in two suits, and a small trump, and will know that the two best trumps and an unknown card are on his right. If the missing suit is led, and the player on the right trumps, his unknown card must be one of the two other suits, and the player with the command of them should keep both, and throw away his small trump. The discards on the next trick may enable him to determine the suit of the losing card on his right. _=The Last Trump.=_ If two players have an equal number of trumps, each of them having an established suit, it will be the object of both to remain with the last trump, which must bring in the suit. The tactics of each will be to win the third round of trumps; and then, if the best trump is against him, to force it out with the established suit, coming into the lead again with the last trump. So often is it important to win the third round of trumps that few good players will win the second round, unless they can win the third also. With an established suit, a card of re-entry, and four trumps King high, a player should lead trumps; but if his partner wins the first round and returns a small trump, the King should not be put on, no matter what Second Hand plays, unless the card next below the King is fourchette. Some of the most brilliant endings in whist are skirmishes for the possession of the last trump; the player who is at a disadvantage often persistently refuses the fatal force, hoping the leader will be compelled to change his suit, or will lose the lead. _=Drawing the Losing Trump.
So, as the outcome of these two melees, there are six of B s men going as released prisoners to his back line whence they may return into the battle, two of A s men prisoners in the hands of B, one of B s staying with them as escort, and three of B s men still actively free for action. A, at a cost of nineteen men, has disposed of seventeen of B s men for good, and of six or seven, according to whether B keeps his prisoners in his fighting line or not, temporarily. [Illustration: Fig. 4--Battle of Hook s Farm. The Battle developing rapidly.] [Illustration: Fig. 5a--Battle of Hook s Farm. Red Cavalry charging the Blue Guns.] (4) Any isolated body may hoist the white flag and surrender at any time. (5) A gun is captured when there is no man whatever of its original side within six inches of it, and when at least four men of the antagonist side have moved up to it and have passed its wheel axis going in the direction of their attack.
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The deal passes to the left. All irregularities are governed by the same laws as bridge. _=Making the trump.=_ Each player in turn, beginning with the dealer, bids to make a certain number of tricks, from seven to thirteen, with a suit of his own choosing, which he names when he makes his bid. The suits outrank one another in the order of hearts, diamonds, clubs, and spades, hearts being the best. No-trumps are higher than hearts. A bid of seven tricks is usually called âoneâ in hearts, or whatever the suit may be. A bid of âtwoâ means to win eight tricks, or two over the book. _=Bidding.=_ If a player wishes to go over the first offer made, he must either bid the same number of tricks in a better suit, or he must increase the number of tricks.
When _=four=_ play, they cut for partners; the two highest pairing against the two lowest. The lowest has the choice of seats, and deals the first hand. When _=five=_ or _=seven=_ play, they have the choice of seats in their order, the lowest first, and the lowest cut deals. When _=six=_ play, the three lowest are partners against the three highest, the lowest cut having the choice of seats, and the first deal. _=TIES.=_ Players cutting cards of equal value cut again; but the new cut decides nothing but the tie. _=PLAYERâS POSITIONS.=_ The _=eldest hand=_, or age, sits on the left of the dealer, and the _=pone=_ sits on the dealerâs right. There are no distinctive names for the other positions. When _=two=_ play, they sit opposite each other.