There are no misdeals in auction. That is to say, whatever happens the same dealer deals again. Minor irregularities will be found provided for in the laws. The cards being dealt, each player sorts his hand to see that he has the correct number, thirteen; and the player or players keeping the score should announce it at the beginning of each hand. _=STAKES.=_ In auction, the stake is a unit, so much a point. The number of points won or lost on the rubber may be only two or three, or they may run into the hundreds. The average value of a rubber at auction is about 400 points. Any much larger figure shows bad bidding. In straight bridge the average is about 180.
_=THREE-HANDED HEARTS.=_ The deuce of spades is discarded, and seventeen cards are dealt to each player, one at a time, after which the game proceeds in the usual way. There are several methods of settling. Howell’s method is undoubtedly the best, but Sweepstakes is very common. An excellent way is for the player who takes the largest number of hearts to pay the two others as many counters as he has hearts in excess of theirs. If two have an equal number, both pay the low man. There are no Jacks. _=AUCTION HEARTS.=_ This is usually played by four persons, although five or six may form a table. After the cards have been dealt in the usual way, the player to the left of the dealer examines his cards, and determines which suit he would prefer to play to get clear of.
B. Gomme). II. Rise up, rise up, Betsy Brown, To see your father go through the town. I won t rise up upon my feet, To see my father go through the street. Rise up, rise up, Betsy Brown, To see your mother go through the town. I won t rise up upon my feet, To see my mother go through the street. [Then follow verses for sister, brother, and lover. When this last is sung, she says--] I will rise up upon my feet, To see my lover go through the street. --Ninfield, Sussex, about sixty years ago (Charles Wise).
| -- |Wash you in milk, |Wash them in milk, | | | |clothe in silk. |clothe in silk. | |15.|Wrote name in glass | -- | -- | | |pen and ink. | | | |16.| -- |Write name in gold pen|Write names in gold | | | |and ink. |pen and ink. | |17.| -- | -- | -- | |18.|Your true love is |True love is dead.
Fippeny Morrell. Fire, Air, and Water. Fivestones. Flowers. Follow my Gable. Follow my Leader. Fool, Fool, come to School. Foot and Over. Football. Forfeits.
24. Any active player taking up or seeing either or both the skat cards when he is not entitled to do so shall be debarred from bidding that deal. If any but an active player look at either of the skat cards, 10 points shall be deducted from his score. 25. If any Kiebitz (an onlooker not belonging to the table) looks at either of the skat cards, he may be called upon to pay the value of the game. 26. If an active player look at the skat cards during the play, he not having laid out those cards from his own hand, his game is lost if he is the single player. If he is opposed to the player, the player’s game is won, but it may be played out to see if he can make schneider or schwarz. 27. Should an active player take one or both the skat cards into his hand by mistake, before the bidding begins, the dealer shall draw from his hand, face down, enough cards to reduce his hand to ten, and the player in fault shall be charged 25 points penalty, and be debarred from bidding for that deal.
| +---+----------------------+----------------------+----------------------+ The analysis shows that the majority of the variants retain four principal incidents of what must have been the original form of the game, and the fact of the Gloucestershire version having come down with only two of the incidents, namely, the two most common to all the variants (12 and 14), shows that the game has been in a state of decadence. The four principal incidents, Nos. 1, 4, 12, and 14, point distinctly to some water ceremonial; and if it may be argued that the incidents which occur in only one or two of the variants may be considered to have belonged to the original type, we shall be able to suggest that this game presents a dramatic representation of ancient well-worship. The incidents which occur in one version only are those given by Mr. Halliwell, and unfortunately the locality from which he obtained this variant is unknown. Still it is an earlier version than those which are now printed for the first time, and may without doubt be looked upon as genuine. Taking all the incidents of the various versions as the means by which to restore the earliest version, it would appear that this might have consisted of the following lines:-- Draw a pail of water For a lady s daughter; Her father s a king, her mother s a queen, Her two little sisters are dressed in green, Stamping grass and parsley, marigold leaves and daisies; Sift the lady s oatmeal, sift it into flour, Put it in a chestnut tree, let it lie an hour; Give a silver pin and a gold ring, One and a hush! two and a rush! Pray, young lady, pop under a bush; My bush is too high, my bush is too low, Please, young lady, come under my bow! (_d_) This restoration of the words, though it probably is far from complete, and does not make so good a game rhyme as the reduced versions, nevertheless shows clearly enough that the incidents belong to a ceremonial of primitive well-worship. The pulling of the hands backwards and forwards may be taken to indicate the raising of water from a well. If this is conceded, the incidents might be grouped as follows:-- (1.) Drawing of water from a well.
He who is last in getting his bed cut up is bound to carry the whole of the clods, crawling on his hands and feet, to a certain distance measured by the one next to him, who throws the knife through his legs. If the bearer of the clods let any of them fall, the rest have a right to pelt him with them. They frequently lay them very loosely on, that they may have the pleasure of pelting.--Jamieson. Cat s Cradle One child holds a piece of string joined at the ends on his upheld palms, a single turn being taken over each, and by inserting the middle finger of each hand under the opposite turn, crosses the string from finger to finger in a peculiar form. Another child then takes off the string on his fingers in a rather different way, and it then assumes a second form. A repetition of this man[oe]uvre produces a third form, and so on. Each of these forms has a particular name, from a fancied resemblance to the object--barn-doors, bowling-green, hour-glass, pound, net, fiddle, fish-pond, diamonds, and others.--_Notes and Queries_, vol. xi.
=_ The elder hand announces his point, as in Piquet, and arrives at its value in the same way, reckoning the Ace for 11, etc. The dealer replies, “Good,” or “Not good,” as the case may be; but there are no equalities. If the point is a tie, the elder hand counts it. The point is worth a _=white=_ counter. The impérials are then called, each being worth one _=red=_ counter. The sequences are called first, that in trumps being “good” of course; then the fours are called, the best being four Kings, and the lowest four Aces. In plain-suit sequences there are no “equals,” the elder hand counting ties as an offset to the advantages of the deal. _=Playing.=_ The elder hand leads a card, and the dealer then declares and marks any impérials he may have that are good; after which he plays a card. No impérials can be claimed or scored after the holder has played a card.
It depends on the communication of side to the object ball. The cue ball is struck very much on the side, almost like a massé, the spin thus given being communicated to the object ball and from that to the second ball, to which it must be frozen. The result will be that the second ball will make a slight curve on its way to the pocket. _=False Angles.=_ In playing bank shots it is sometimes necessary to make the object ball come back from the cushion at a smaller angle than the natural one. Some players imagine this can be done by putting side on the cue ball, but such is not the case. It is accomplished by striking so hard that the ball buries itself in the cushion, the result of which is that the angle of reflection is less than that of incidence. It is possible to drive an object ball to the rail at an angle of 60 degrees with such force that after crossing the table twice it will come off at a perfect right angle from the cushion. This is a very useful shot in banking for the side pockets, and also in playing for the 1 or 4 pin at Pin Pool. The following _=LAWS=_ for Fifteen-Ball Pool are copied, by permission, from the 1908 edition of the rules published by the Brunswick-Balke-Collender Co.
| | +-.-+---+-.-+---+-.-+---+-.-+---+ | . | | ⛂ | | . | | . | | +-.-+---+-.-+---+-.
| PLAYED. ---------------------+----+-----+-----+--------+---------+--------- Ruy Lopez |145 |103 | 58 | 306 | 57 | 20 Queen’s Pawn(a) | 97 | 63 | 39 | 199 | 48 | 13 French Defence | 84 | 48 | 39 | 171 | 60 | 11 Vienna | 47 | 34 | 15 | 96 | 57 | 6 Sicilian Defence | 40 | 29 | 10 | 79 | 57 | 5 King’s Gambit | 36 | 32 | 11 | 79 | 52 | 5 Giuoco Piano | 36 | 32 | 10 | 78 | 52 | 5 Evans | 34 | 20 | 12 | 66 | 61 | 4 Irregular | 29 | 31 | 14 | 74 | 49 | 5 Scotch | 22 | 26 | 9 | 57 | 47 | 4 Zukertort | 23 | 17 | 11 | 51 | 56 | 3 Two Knights Defence | 16 | 20 | 10 | 46 | 46 | 3 Staunton’s | 19 | 15 | 5 | 39 | 55 | 3 Fianchetto | 13 | 14 | 2 | 29 | 48 | 2 Petroff Defence | 15 | 9 | 3 | 27 | 61 | 2 Centre Gambit(b) | 11 | 11 | 4 | 26 | 50 | 2 Philidor Defence | 8 | 9 | 3 | 20 | 47 | 1 Miscellaneous | 22 | 29 | 6 | 57 | 44 | 4 +----+-----+-----+--------+---------+--------- Total |697 |542 | 261 | 1500 | | ---------------------+----+-----+-----+--------+---------+--------- The first player won 55.2 per cent. of games played, counting drawn games as one-half. (a). Includes Queen’s Gambits and Queen’s Gambits declined. (b). Includes Centre and Counter Centre Gambits. _=THE MIDDLE GAME.=_ After a little experience with openings, the player will usually select one or two which he feels that he can handle better than others, and will make a specialty of them.
W. Slater Sykes from Settle, Yorkshire, is almost identical with the Earls Heaton version. Northall (_Folk Rhymes_, p. 369) says to kiss on the floor --_i.e._, not in secret. He gives the words of a sort of musical catch, sung in the Midlands, similar in character to this game, which may once have been used in some courting game. Mr. Newell (_Games_, p. 124) gives a version sung in the streets of New York, and considers it to be a relic of antiquity, a similar round being given in _Deuteromelia_, 1609.
When the opposite side says Yes! the two take the first child in the row and dance round with her, singing the remaining verse. This is called the wedding. The Lanarkshire version is quite a different one, and contains rather remarkable features. Mr. Black says that the game was played entirely by girls, never by boys, and generally in the months of May or June, about forty years ago. The children sang with rather mincing and refined voices, evidently making an effort in this direction. They walked, with their hands clasped behind their backs, up and down the road. Each child was crowned with rushes, and also had sashes or girdles of rushes. Mr. Ballantyne says in his boyhood it was played by a row of boys on one side and another of girls opposite.
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If the winners of the game are five points to their adversaries’ nothing, they win a _=treble=_, and count three rubber points. If the losers have scored one or two points only, the winners mark two points for a _=double=_. If the losers have reached three or four, the winners mark one for a _=single=_. The side winning the rubber adds two points to its score for so doing; so that the largest rubber possible is one of eight points;--two triples to nothing, and two added for the rubber. The smallest possible is one point;--two singles and the rubber, against a triple. If the first two games are won by the same partners, the third is not played. _=DEALING.=_ Any player has the right to shuffle the cards, the dealer last. The pack must be presented to the pone to be cut, and he must leave at least four cards in each packet. Beginning on his left, the dealer distributes the cards either two at a time and then three, or three and then two to each player in rotation, until all have five cards.
A player cannot increase his own bid unless he is overbid. The highest bidder becomes the single player, opposed to the two others. _=Frog.=_ In this, hearts must be trumps. The single player turns the widow face up to show what it contained, and then takes the three cards into his hand. He must then discard to reduce his playing hand to eleven cards again. Any points in the cards he lays away will count for him at the end of the play. The player on the dealer’s left always leads for the first trick, any card he pleases. The others must follow suit if they can, but they are not obliged to head the trick. If a player cannot follow suit, he must trump, and if the third player cannot follow suit either, he must play a trump, but he is not obliged to over-trump unless he likes.