With six in suit, you may lead the King from K Q, without either Jack or 10; but with less than six in suit never lead the King from K Q unless you have the 10 or the J also. _=THIRD HAND PLAY.=_ The leader’s partner must do his best to inform his partner as to the distribution of his suit. The method of doing this is entirely different when there is a trump from that which is adopted when there is no trump. In the first case, all your partner wants to know is, who is going to trump his suit if he goes on with it. In the second case, what he wants to know is his chance for getting his suit cleared or established. _=With a Trump.=_ When third hand makes no attempt to win the trick, either because his partner’s or Dummy’s card is better than any he need play, he plays the higher of two cards only, the lowest of three or more. This is called playing _=down and out=_. Suppose third hand holds 7 and 2 only, and the lead is a King.
The Berks version is practically the same as the Tean version. The Eckington (Derbyshire) version is played as follows:--A number of young women form a ring. A man stands within the ring, and they sing the words. He then makes choice of a girl, who takes his arm. They both walk round the circle while the others sing the same lines again. The girl who has been chosen makes choice of a young man in the ring, who in his turn chooses another girl, and so on till they have all paired off. (_c_) The first verse of the Shropshire version is also sung at Metheringham, near Lincoln (C. C. Bell), and Cowes, I. W.
=_ Howell’s Settling. | T | _=No. 4.=_ Auction Hearts. Z dealt, and A leads for | R | A, the successful first trick. | I | bidder, names Hearts. --------------------------------+ C +-------------------------------- A Y B Z | K | A Y B Z --------+-------+-------+-------+---+-------+-------+-------+-------- 10♢ | J♢ | 9♢ | _K♢_ | 1| ♡5 | ♡8 | ♡6 | _♡J_ 7♢ | 6♢ | 8♢ | _Q♢_ | 2| Q♢ | 4♢ | 8♢ | _A♢_ ♣4 | ♣9 | ♣J | _♣A_ | 3| J♢ | _K♢_ | 7♢ | 10♢ ♣2 | ♣8 | ♣5 | _♣K_ | 4| _A♠_ | 7♠ | 6♠ | 10♠ J♠ | 8♠ | K♠ | _A♠_ | 5| ♡7 | _♡A_ | ♡4 | ♡10 5♠ | 7♠ | _Q♠_ | 10♠ | 6| _K♠_ | 3♠ | 5♠ | 9♠ 4♠ | _6♠_ | 3♠ | 2♠ | 7| ♡Q | _♡K_ | ♡3 | ♣9 ♡5 | ♡3 | _♡8_ | ♡4 | 8| ♡9 | ♣J | ♣10 | _♣Q_ _♡A_ | ♡J | ♡7 | 5♢ | 9| _Q♠_ | ♣6 | 4♠ | 8♠ ♡9 | ♡2 | _♡K_ | ♣Q | 10| _J♠_ | ♣5 | ♣A | 2♠ A♢ | _♡10_ | ♡6 | 9♠ | 11| 6♢ | ♣4 | 5♢ | _9♢_ 4♢ | ♣3 | ♡Q | _♣10_ | 12| 2♢ | ♣3 | _♣K_ | ♣8 2♢ | _♣7_ | 3♢ | ♣6 | 13| ♡2 | ♣2 | _3♢_ | ♣7 --------+-------+-------+-------+---+-------+-------+-------+-------- A 3 Y 2 B 7 Z 1 A 0 Y 7 B 1 Z 5 Z wins 9; Y 5; A 1; B loses 15. A wins the pool. _=No. 3.
A “remarkable hand” might be the play of an entire deal at Whist, for instance. Heading a Trick, playing a better card than any already played to the trick, but not necessarily the best in the hand. Heeled Bets, bets at Faro which play one card to win and another to lose, but do not win or lose double the amount if both events come on the same turn. Hinterhand, G., the last player on the first trick, (Skat). His Heels, the Jack turned up for a starter at Cribbage. His Nobs, Jack of the same suit as the starter at Cribbage. Hoc, or Hockelty, the last card in the box at Faro. Honours, usually the highest cards in the suit, such as A K Q J, and sometimes the 10. In Calabrasella the 3 and 2 are honours, and in Impérial the lowest card is an honour.
If two suits are equal, the pips on each are counted, reckoning aces as 11 each, other honours at 10 each, and the larger number of pips is the suit. If this is still equal, the more valuable suit must be declared. No one but the eldest hand may double, and no one but the dealer may redouble. In order to make this fair for both sides, it is usual to let the pone sort and declare on Dummy’s cards, so that the dealer shall not see them until the first card is led. No matter what points are made for tricks, the dealer only can score them below the line, to count toward game. If the adversaries make the odd trick, they score above the line, in the honour column, so that no one can go out except on his own deal. After the deal is finished and scored, the players move, so as to bring about a change of partners. The one on the left of the vacant place moves into it, and the player on his right deals. Three of these movements bring about the original position. Each player’s score is kept individually, and when one of the three has won two games, the scores are added up and balanced, after giving the winner 100 rubber points.
King and Queen against King and Knight. King and Queen against King and Pawn. King and two Rooks against King and Rook. King and two Bishops against a King. King Bishop and Knight against a King. In order to master all these endings, the student should take up Staunton’s Handbook, or the Lehrbuch des Schachspiels, in which they are given very fully. For the beginner only one or two of the most common and important are necessary. K and Q, or K and R, against K. All that is necessary is to drive the King to the edge of the board, which may be done by holding him below a certain parallel with the Q or R, and then getting your own King in front of him; a check will then drive him one line further back, and when he arrives at the edge of the board, and can no longer go back, he is mated. K and Q against K and R.
Another old wedding superstition is alluded to by Longfellow:-- While the bride with roguish eyes, Sporting with them, now escapes and cries, Those who catch me, married verily this year will be. See Joggle Along. Jolly Rover [Music] --Derbyshire (Mrs. Harley). Here comes one jolly rover, jolly rover, jolly rover, Here comes one jolly rover, jolly rover, jolly rover, A roving all day. And what do you rove for, rove for, rove for? And what do you rove for? Lily white and shining. I rove for my pleasure, my pleasure, my pleasure, I rove for my pleasure, my pleasure, my pleasure, Lily white and shining. And what is your pleasure, your pleasure, your pleasure? What is your pleasure? Lily white and shining. My pleasure s for to marry you, to marry you, to marry you, My pleasure s for to marry you, Lily white and shining. So through the kitchen and through the hall, I choose the fairest of them all, The fairest one that I can see Is ----, so come to me.
III. Blackthorn! New milk and barley-corn; How many sheep have you to sell? More nor yo can catch and fly away wi . --Addy s _Sheffield Glossary_. IV. Blackthorn! Butter-milk and barley-corn; How many sheep have you to-day? As many as you catch and carry away. --Earls Heaton, Yorkshire (Herbert Hardy). (_b_) One set of children stand against a wall, another set stand opposite, facing them. The first set sing the first line, the others replying with the second line, and so with the third and fourth lines. The two sides then rush over to each other, and the second set are caught. The child who is caught last becomes one of the first set for another game.
Philosopher, a card sharp. Piano Hands, hands which run along smoothly at Whist, and yield no opportunities for loss or gain. Piking, making small bets all over the layout at Faro. Playboy, the Jack of trumps at Spoil Five. Plain Suits, those which are not trumps. Point, F., the suit containing the greatest number of pips. Pone, the player on the dealer’s right, who cuts the cards. Ponte, F., one who plays against the banker.
Bad A rude kind of Cricket, played with a bat and a ball, usually with wall toppings for wickets. Bad seems to be the pronunciation or variation of Bat. Halliwell says it was a rude game, formerly common in Yorkshire, and probably resembling the game of Cat. There is such a game played now, but it is called Pig. --Easther s _Almondbury Glossary_. Baddin The game of Hockey in Cheshire.--Holland s _Glossary_. Badger the Bear A rough game, sometimes seen in the country. The boy who personates the Bear performs his part on his hands and knees, and is prevented from getting away by a string. It is the part of another boy, his Keeper, to defend him from the attacks of the others.
v. Redhill Miss G. Hope. SUSSEX { Parish s _Dialect_, Holloway s { _Dictionary_, Toone s _Dictionary_. Hurstmonceux Miss Chase. Shipley, Horsham, West { Miss R. H. Busk (_Notes and Grinstead { Queries_). Ninfield Mr. C.
Even the help was dressed up like a lot of cow-pokes, whatever cow-pokes were. This ersatz ranch-house was owned by two completely unlovelies. Peno Rose, who had used his political leverage to get me on the job, I had known since he d been a policy number runner on the lower East Side. His partner, Simonetti, was something else, but somehow I wasn t looking forward to meeting him any more than I was to seeing Rose again. I guess it s the filth within these croupier types that makes them surround themselves with the aseptic immaculacy of iridium and glass. Their office was in a penthouse perched on the slanting roof shakes of the casino. It was big as a squash court, and as high and as square. Every wall was glass. It couldn t have been in greater contrast to the contrived hominess of the casino if they d thought about it for a year. Then, for the last twist, the furnishings were straight out of the old Southwest--Navajo rugs, heavy, Spanish oak desks, and a pair of matching couches or divans of whole steer leather stretched over oak frames.
My darlin Billy! How near-sighted can you get? I don t think there s such a thing as a case of mistaken identity around a guy like me. I didn t know her darlin Billy from Adam s ox. But I d have bet a pretty we didn t look alike. You re wasting it, I told her, looking out over the crap tables. It s new, and different. But I m not _anybody s_ darling. A jerk of my head told her to move on. But she sniffled and stayed put. I gave up and started through the press of gamblers toward the Cashier s cage. Billy Joe! this hustler moaned behind me, clawing at my jacket.
| | | |14.|Please, little girl, |To see a fine lady pop|Lady, come under the | | |pop under. |under a bush. |corner bush. | |15.| -- | -- | -- | |16.| -- | -- | -- | |17.| -- | -- | -- | |18.| -- | -- | -- | +---+----------------------+----------------------+----------------------+ +---+----------------------+----------------------+----------------------+ |No.| Belfast.
--Wakefield (Miss Fowler). (_c_) The more general way of playing this game is to form a ring of children simply. The children walk round singing the verse as in the Belfast version, and when the last line is sung, the child whose name is mentioned turns round, facing the outside of the ring and having her back to the centre. She continues to hold hands with the others, and dances round with them in that position. This is repeated until all the children have turned their backs to the inside of the ring. Here the game ends in many cases, but another verse is sung in the Lincoln, Winterton, and Wakefield versions from Miss Peacock, and this was sung also in the London version. The second verse thus terminates the game, with the players one by one reversing their position and facing the centre of ring as at first. In the Forest of Dean and Wakefield versions the action of the game is somewhat different. A child stands in the centre of the ring of children, without apparently taking much part in the game, except to name the children in turn. In the Wakefield version, however (Miss Fowler, No.
Suppose _=B=_ makes his point. _=A=_ will do all he can to euchre _=C=_, but _=B=_ will oppose the scheme, because his only chance for the game is that _=A=_ will not be able to take up the trump on his own deal, and that _=B=_ will make a march. SET-BACK EUCHRE. This is simply a reversal of the ordinary method of scoring, the players starting with a certain number of points, usually ten, and deducting what they make on each deal. The peculiarity which gives the game its name is that if a player is euchred he is _=set back=_ two points, his adversaries counting nothing. The revoke penalty is settled in the same way. The game is usually counted with chips, each player starting with ten, and placing in the centre of the table those that he is entitled to score. BLIND EUCHRE. Each player is for himself and a widow of two cards is dealt. The player who takes the widow practically orders up the trump and must play against all the others after discarding two cards.
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=_ The names of the four players should be written at the head of each score-card, and as there is no trump turned in memory duplicate, the third and seventh columns can both be used for the numbers of the players that are partners, and the sixth column for the N & S gains. When the match is finished, a tabulation of the tricks lost or won by each player will readily show which is the winner. In the illustration which we give, No. 3 finishes plus 6; No. 4 plus 2; No. 1 minus 4; and No. 2 minus 4. [Illustration: MANHATTAN WHIST CLUB Table No. 31 May 1896 1. Chinery 3.
55. If an adversary of the player tell his partner how many points they have taken in, or ask him to fatten a trick which is his, or call attention in any way to the fact that the partner’s play should be thus or so, the single player may at once claim his game as won, and abandon his hand. SCORING. 56. The single player wins his game if he reaches 61 points. He wins schneider if he makes 91. He wins schwarz if he gets every trick. 57. If the adversaries reach 30, they are out of schneider. If they reach 60, they defeat the player.
] This is the Deptford version. The Clapham version is almost identical; the children take hold of each others skirts and make a long line. If the brave soldier is not able to break the clasped hands he goes to the end of the line of soldiers. The soldiers do not surround the fortress. In the Suffolk version the soldiers try to break through the girls hands. If they do they have the tower. The Cornwall version is not so completely an illustration of the capture of a fortress. Barley-break [Illustration: Fig. 1.] [Illustration: Fig.
See Mother, Mother, the Pot Boils Over, Witch. Gled-wylie The name of a singular game played at country schools. One of the largest of the boys steals away from his comrades, in an angry-like mood, to some dykeside or sequestered nook, and there begins to work as if putting a pot on a fire. The others seem alarmed at his manner, and gather round him, when the following dialogue takes place:-- They say first to him-- What are ye for wi the pot, gudeman? Say what are ye for wi the pot? We dinna like to see ye, gudeman, Sae thrang about this spot. We dinna like ye ava, gudeman, We dinna like ye ava. Are ye gaun to grow a gled, gudeman? And our necks draw and thraw? He answers-- Your minnie, burdies, ye maun lae; Ten to my nocket I maun hae; Ten to my e enshanks, and or I gae lye, In my wame I ll lay twa dizzen o ye by. The mother of them, as it were, returns-- Try t than, try t than, do what ye can, Maybe ye maun toomer sleep the night, gudeman; Try t than, try t than, Gled-wylie frae the heugh, Am no sae saft, Gled-wylie, ye ll fin me bauld and teugh. After these rhymes are said the chickens cling to the mother all in a string. She fronts the flock, and does all she can to keep the kite from her brood, but often he breaks the row and catches his prey.--Mactaggart s _Gallovidian Encyclopædia_.
His ball must in this case be replaced and the stroke played again. _=12.=_ When a ball or balls touch the striker’s ball, or are in line between it and the ball he has to play at, so that it will prevent him hitting _any part of the object-ball_, such ball or balls must be taken up until the stroke be played, and, after the balls have ceased running, they must be replaced. _=13.=_ If a ball or balls are in the way of a striker’s cue, so that he cannot play at his ball, he can have them taken up. _=14.=_ When the striker _takes_ a life, he continues to play on as long as he can pocket a ball, or until the balls are all off the table, in which latter case he places his own ball on the spot as at the commencement. _=15.=_ The first player who loses his three lives is entitled to purchase, or _star_, by paying into the pool a sum equal to his original stake, for which he receives lives equal in number to the lowest number of lives on the board. _=16.