On the second round, if there is only one card against the leader, his partner should pass with four trumps, and allow the suit to be established. For instance: If the leads have been Ace, then Jack, Third Hand holding only one of the suit; he should pass if the Second Hand does not play King. _=Third Hand on Strengthening Cards.=_ Unless Third Hand has both Ace and King of the suit, he should pass any forced or strengthening lead which is not covered by the Second Hand. This obliges the Fourth Hand to open another suit, or to continue at a disadvantage. Third Hand winning first round has the choice of four lines of play: 1st. To lead trumps, if he is strong enough. 2nd. To return the best card of his partner’s suit if he has it. This is imperative before opening any other suit but trumps.
[Footnote: Here again the gallant gentleman errs; this time he magnifies.] Evidently he meant to seize both Firely Church and Hook s Farm, get his guns into action, and pound my little force to pieces while it was still practically in the open. He could reach both these admirable positions before I could hope to get a man there. There was no effective cover whatever upon my right that would have permitted an advance up to the church, and so I decided to concentrate my whole force in a rush upon Hook s Farm, while I staved off his left with gun fire. I do not believe any strategist whatever could have bettered that scheme. My guns were at the points marked D C E, each with five horsemen, and I deployed my infantry in a line between D and E. The rest of my cavalry I ordered to advance on Hook s Farm from C. I have shown by arrows on the sketch the course I proposed for my guns. The gun E was to go straight for its assigned position, and get into action at once. C was not to risk capture or being put out of action; its exact position was to be determined by Red s rapidity in getting up to the farm, and it was to halt and get to work directly it saw any chance of effective fire.
1. +---+---+---+---+---+---+---+---+ | | ⛀ | | ⛀ | | ⛀ | | | +---+---+---+---+---+---+---+---+ | ⛀ | | ⛀ | | ⛀ | | | | +---+---+---+---+---+---+---+---+ | | ⛀ | | ⛀ | | ⛂ | | ⛀ | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | ⛂ | | ⛂ | | | | ⛀ | | +---+---+---+---+---+---+---+---+ | | ⛂ | | ⛂ | | ⛂ | | ⛂ | +---+---+---+---+---+---+---+---+ | | | ⛂ | | ⛂ | | ⛂ | | +---+---+---+---+---+---+---+---+ ] _=Huffing.=_ If a player who can capture a piece neglects to do so, his adversary has the choice of three things:--To compel the player to take back his move and capture the piece; to huff (remove from the board,) the man that should have captured the piece; or to let the move stand, and go on with his own move. A huff does not constitute a move; the piece is simply removed from the board as a penalty, but the penalty must be enforced before the player exacting it makes his own move. _=Kings.=_ When a man arrives at any of the four squares on the edge of the board farthest from the side on which he started, he becomes a King, and is _=crowned=_ by putting another man of the same colour on the top of him. In diagrams, kings are distinguished by putting a ring round the single man. ⦾ ⦿. Kings can move either backward or forward, but only one square at a time. If a man arrives at the king-row by capturing an adverse piece, that ends the move, and the newly made king cannot move again, even to capture another piece, until his adversary has moved.
What do you want your poke for? To put some sand in. What do you want your sand for? To sharpen knives with. What do you want your knives for? To cut all the little chickens heads off with. Here the Outsider tries to dodge past the Leader to catch one of the children at the further end of the row, the Leader meanwhile attempting to bar her progress. When at last she succeeds, the child caught takes her place, and the game is recommenced.--Winterton (Miss M. Peacock). See Fox and Goose, Gled-wylie. Here comes a Lusty Wooer [Music] --Rimbault s _Nursery Rhymes_. Here comes a lusty wooer, My a dildin, my a daldin; Here comes a lusty wooer, Lily bright and shine a .
One of their number is sent away to a distance, but remains within call. Another girl, who stands in front of the line, asks the girls one by one what they would like if they could obtain their desires. After she has asked every one, she tells them to turn their faces to the wall, and calls after the girl who was sent away, saying, Little Dog, I call you. The girl replies, I shan t come to please you. I ll get a stick and make you, is the rejoinder. I don t care for that. I ve got a rice pudding for you. I shan t come for that. I ve got a dish of bones. I ll come for that.
Perhaps it was his nearly bald scalp, perhaps the thick, bookish glasses in heavy brown frames. What s that? he asked mildly, poking a finger at the dealer kneeling in the sawdust on the floor. My Blackout victim was reaching out, trying to find something he could use to raise himself to his feet. His face was frozen in a fierce, unseeing stare as he mentally screamed at his eyes to see, see, see! Blackout! one of the bouncers told the second stick-man in a muffled voice. Sharp eyes fired a quick, surprised look at me. Well, said the bald dealer. Good evening, Brother. I had a surge of relief. The strong-arm stuff was over. This was the casino s TK.
The moulding of Cocklety-bread is a sport amongst hoydenish girls not quite extinct. It consists in sitting on the ground, raising the knees and clasping them with the hand, and then using an undulatory motion, as if they were kneading dough. My granny is sick and now is dead, And we ll go mould some cocklety bread; Up with the heels and down with the head, And that is the way to make cocklety bread. --Hunter s MSS.; Addy s _Sheffield Glossary_. (_b_) The _Times_ of 1847 contains a curious notice of this game. A witness, whose conduct was impugned as light and unbecoming, is desired to inform the court, in which an action for breach of promise was tried, the meaning of mounting cockeldy-bread; and she explains it as a play among children, in which one lies down on the floor on her back, rolling backwards and forwards, and repeating the following lines:-- Cockeldy bread, mistley cake, When you do that for our sake. While one of the party so laid down, the rest sat around; and they laid down and rolled in this manner by turns. These lines are still retained in the modern nursery-rhyme books, but their connection with the game of Cockeldy-bread is by no means generally understood. There was formerly some kind of bread called cockle-bread, and _cocille-mele_ is mentioned in a very early MS.
The chief point for the beginner to observe in Second Hand play, is the difference between the circumstances requiring him to play high cards, and those in which he should play low ones. _=High Cards Led.=_ When a card higher than a Ten is led on the first round of a suit, the Second Hand has usually nothing to do but to play his lowest card, and make what inference he can as to the probable distribution of the suit. But if he holds the Ace, or cards in sequence with it, such A K, he should cover any card higher than a Ten. If he holds K Q he should cover a J, 10, or 9 led; but it is useless for him to cover an honour with a single honour, unless it is the Ace. _=Low Cards Led.=_ High cards are played by the Second Hand when he has any combination from which he would have led a high one if he had opened the suit. The fact that a player on his right has already laid a small card of the suit on the table should not prevent the Second Hand from making the best use of any combinations he may hold. The only difference between leading from such combinations, and playing them Second Hand, is that in the latter case no attempt is made to indicate to the partner the exact nature of the combination held. The general rule is to win the trick as cheaply as possible, by playing the lowest of the high cards which form the combination from which a high card would be led.
(Clock strikes six.) We ve come to see poor Jenny Jones, poor Jenny Jones, poor Jenny Jones, We ve come to see poor Jenny Jones, how is she to-day? Poor Jenny is dead, dead, dead, Poor Jenny is dead, you can t see her to-day. What colour will you have for the funeral for poor Jenny Jones? Red? Red is for the soldiers, soldiers, soldiers, Red is for the soldiers, and that won t do. Blue? Blue is for the sailors, sailors, sailors, Blue is for the sailors, and that won t do. Pink? Pink is for the babies, babies, babies, Pink is for the babies, and that won t do. White? White is for a wedding, a wedding, a wedding, White is for a wedding, and that won t do. Black? Black is for the mourners, mourners, mourners, Black is for the mourners, and that will do. Poor Jenny Jones is dead, dead, dead, Poor Jenny Jones is dead, and lies in her grave. --Southampton (from nursemaid of Mrs. W.
=_ There are a number of standard openings in Checkers which are formed by the preliminary moves on each side. These openings are known by various fanciful names, dear to all checker-players. In the following list they are arranged in alphabetical order for convenience in reference. +---------+---------+---------+---------+---------+---------+---------+ | |AYRSHIRE | | | | | | | ALMA. | LASSIE. |BRISTOL. | CENTRE. | CROSS. |DEFIANCE.| DENNY.
He should also be careful to estimate, by the eleven rule, how many cards are out against the leader, which will sometimes guide him to a good finesse. For instance: first player leads Ace, then Eight. If the Second Hand holds K J 9 2, instead of playing the best card to the second round, which would be King, he should finesse the Nine. _=With Short Suits.=_ When Second Hand holds such short-suit combinations as:-- [Illustration: 🂽 🂻 🂷 | 🂻 🂺 🂵 ] and a small card is led, his proper play is one of the high cards, because he cannot save both of them. _=On Strengthening Cards Led.=_ This is a difficult point for the beginner, and his best plan is to follow the rules already given for covering cards higher than the Ten. One of the most common errors is to cover a Jack led with a Queen, when holding A Q and others. The Ace should be put on invariably. To play the Queen in such a position is called _=finessing against yourself=_.
--Belfast (W. H. Patterson). IV. Here we come gathering nuts in May, Nuts in May, nuts in May, Here we come gathering nuts in May, On a cold and frosty morning. Where do you gather your nuts in May? On Galloway Hill we gather our nuts. Who will you gather for nuts in May? We ll gather ---- for nuts in May. Who will you send to fetch her away? We ll send ---- to fetch her away. --Bocking, Essex (_Folk-lore Record_, iii. 169).
C., and have been arranged for any number of pairs from four to thirty-four. _=INDIVIDUALS.=_ When four play memory duplicate, one of the four, usually S, retains his seat and keeps the score, the others changing places right and left alternately, each playing with S as a partner for 8 hands. These changes successively bring about the three following positions:-- c | b | a a b | a c | c b S | S | S | | Hands:--1 to 4 | 5 to 8 | 9 to 12 For the overplay, the trays are reversed, the hands originally dealt N & S being placed E & W; but the players continue to change right and left alternately. This brings the same partners together, but on different sides of the table. c | b | a b a | c a | c b S | S | S | | Hands:--1 to 4 | 5 to 8 | 9 to 12 _=Scoring.=_ The names of the four players should be written at the head of each score-card, and as there is no trump turned in memory duplicate, the third and seventh columns can both be used for the numbers of the players that are partners, and the sixth column for the N & S gains. When the match is finished, a tabulation of the tricks lost or won by each player will readily show which is the winner. In the illustration which we give, No.
Bun-hole. Bunch of Ivy. Bung the Bucket. Bunting. Burly Whush. Buttons. Buzz and Bandy. CACHE-POLE. Caiche. Call-the-Guse.
The Joker, or Snoozer, counts fifteen, so that thirty-six points can be bid and made on one deal. The Joker is the lowest trump, so that the deuce of trumps will win it, but it will win any trick in plain suits. Fifty or a hundred points is the game. In counting out, the order of precedence is: High, Low, Jack, Ten (Game), Three, Five, Nine, Snoozer. CINCH, DOUBLE PEDRO, OR HIGH FIVE. This is now regarded as the most important variety of All Fours, and bids fair to supplant the parent game altogether. Properly speaking, Cinch is one of the pedro variations of Auction Pitch, the difference being that no one sells, and that there is added the always popular American feature of a draw to improve the hand. The derivation and meaning of the name, Cinch, seems to be very much misunderstood. Many persons assume it is simply a name for the Left Pedro, but such is not the case. Cinch is a Mexican word for a strong saddle-girth, and when used as a verb it refers to the manner of adjusting the girth on a bucking broncho so that no amount of kicking will get him free.
--Winterton, Nottinghamshire and Yorkshire (Miss Peacock). XI. Isabella, Isabella, Isabella, Farewell! Last night when we parted I left you broken-hearted, And down by the river you saw your young man. In the stream, love, in the stream, love, In the stream, love, Farewell! Go to church, love, go to church, love, Go to church, love, Farewell. In the ring, love, in the ring, love, In the ring, love, Farewell! --Long Eaton, Nottinghamshire (Miss Youngman). XII. Elizabella, Farewell! Last night as we parted She left me broken-hearted, And on a green mountain She looked like a dove. Choose your loved one, Choose your loved one, Choose your loved one, Farewell! Go to church, love, Farewell! Say your prayers, love, Farewell! In the ring, love, Farewell! Shake hands, loves, Shake hands, loves, Farewell! Give a kiss, loves, Give a kiss, loves, Farewell! --Liphook, Hants (Miss Fowler). XIII. Last night when we parted She was nigh broken-hearted, To-morrow we gather And a bright welcome be.
12, as having been played by ladies at Buxton for their amusement in wet weather. See Pegge s _Anonymiana_, 1818, p. 126, and Addy s _Sheffield Glossary_. Cricket A description of this game is not given here; its history and rules and regulations are well known, and many books have been devoted to its study. The word Cricket is given in Lawson s _Upton-on-Severn Words and Phrases_ as a low wooden stool. He continues, The game of Cricket was probably a development of the older game of Stool-ball, a dairymaid s stool being used for the wicket. Wedgwood (_Etym. Dict._) suggests that the proper name for the bat was cricket-staff, A.-S.
Drawing cards from the outspread pack may be resorted to in place of cutting. SHUFFLING. 8. Before every deal, the cards must be shuffled. When two packs are used, the dealer’s partner must collect and shuffle the cards for the ensuing deal and place them at his right hand. In all cases the dealer may shuffle last. In _=Boston=_ and in _=Cayenne=_, two packs must be used; and in Boston there must be no shuffling of either pack after the first deal. 9. A pack must not be shuffled during the play of a hand, nor so as to expose the face of any card. CUTTING TO THE DEALER.
While the player must win or lose a game worth as many as bid, he may attempt to win as many more as he pleases. If he has got the play on a bid of ten, that does not prevent him from playing a club Solo, with schneider announced. But if he has bid or refused eleven, and plays a tourné in diamonds, he must make schneider or play with or without two Matadores in order to bring his multipliers up to three. It both these fail him he loses 15, the next higher game than his bid possible in a diamond tourné. As Frage is no longer played on account of its small value, if the player takes both the skat cards into his hand at the same time, without showing them, his game must be a Gucki Grand, unless he has previously announced that it is a Gucki Nullo. His game announced, he lays out any two cards he pleases for his skat, so as to play with ten only. If the player turns over either of the skat cards, his game is limited to a tourné. If he turns a Jack, he may change to Grand, but not to Grand Ouvert. Neither schneider nor schwarz can be announced in any game in which the skat cards are used. A tourné player must lay out two skat cards to reduce his hand to ten cards.
=_ The general tactics of the game are extremely like those employed in Whist and Skat. The player establishes his long suit as rapidly as possible, and preserves his tenaces and cards of re-entry. The adversaries of the player should lead short suits up to him, and long suits through him, and every opportunity should be taken advantage of to discard counting cards on partner’s tricks, Aces especially, which are not the best of the suit, but count the most. Both sides scheme to get their hands in shape for winning the last trick, which usually makes a difference of ten or twelve points in the score, owing to the high cards held back, and those found in the stock. Each side should keep mental count of its score, so as to know whether or not it must win the last trick to get to 18. The exposure of the stock, the number of cards discarded by the player, the suits which are led and avoided, will all prove useful guides in determining where the strength or weakness in each suit lies, and proper advantage should be taken of all such inferences. Some judgment is required in selecting the suit in which the 3 is to be asked for, and the single player must plan in advance for all his discards, one for the exchange, and those for the stock. The player’s position at the table makes quite a difference. The leader has an advantage with a good long suit; but with tenaces it is better to be third player, and very bad to be second hand. Some pretty positions arise in the end game through the refusal of players to win tricks which would put them in the lead, and so lose them the last trick and the stock.
_=CARDS.=_ The cards have the same rank as at whist; they are dealt in the same manner, and the same rules apply to all irregularities in the deal, except that a misdealer must deal again. The objects of the game are the same, and so are all the suggestions for good play. The only differences that require attention are the positions of the players, the manner of counting the tricks, and the methods of keeping and comparing the scores. _=THEORY.=_ It may briefly be stated that duplicate proceeds upon the principle that if two partners have made a certain number of tricks with certain cards, under certain conditions with respect to the lead, distribution of the other cards in the adversaries’ hands, etc., the only way to decide whether or not two other players could have done better, or cannot do so well, is to let them try it, by giving them the same cards, under exactly similar conditions. This comparison may be carried out in various ways; but in every instance it depends entirely upon the number and arrangement of the players engaged. The most common forms are: club against club; team against team; pair against pair; or man against man. The reason for the arrangement of the players will be better understood if we first describe the method.
4; _Merry Devil of Edmonton_; and _Wise Women of Hogsden_. Hooper s Hide Name for Blind Man s Buff. --Nares _Glossary_. Hop-crease The game of Hop-scotch. --Halliwell s _Dictionary_. Hop-frog The players bend as though about to sit on a _very low_ stool, then spring about with their hands resting on their knees.--Dorsetshire (_Folk-lore Journal_, vii. 234). Miss Peacock says that a game called Hop-frog over the Dog is played at Stixwould, Lincolnshire, in the same way as Leap-frog. See Curcuddie, Cutch-a-cutchoo, Harie Hutcheon, Hirtschin Hairy.
To bid twenty, a player should have a practically invincible hand, with at least five winning leads of trumps. The first bidders are always at a disadvantage, because they know nothing of the contents of the other hands; but after one or two players have made a bid, those following them can judge pretty well how the cards lie. For instance: The seven players are _=A=_ _=B=_ _=C=_ _=D=_ _=E=_ _=F=_ _=G=_. _=A=_ deals, and _=B=_ bids 2 in hearts. _=C=_ and _=D=_ pass. _=E=_ bids 3 in clubs; and _=F=_ says 4 in hearts. It is evident that _=F=_ is bidding on _=B’s=_ offer in hearts, and intends to choose him for a partner. _=G=_ finds in his hand four good spades and the Joker, but neither Bower. He may safely bid 5 or 6, taking _=E=_ for a partner if successful, as _=E=_ very probably has one or both the black Bowers. If he bids 5 only, the dealer, _=A=_, would have an excellent chance to bid 6 in hearts, and to take _=B=_ and _=F=_ for two of his partners, and _=G=_ for the third, trusting to find him with the Joker, or at least protection in one or both black suits.
The original maker of the trump should be very strong to justify him in redoubling the adversary. If he had four probable tricks originally, he may count the adversary who doubles for five, and of the four doubtful tricks remaining, the odds are against partner having the three which would be necessary to win the odd trick. _=Opening Leads.=_ The first lead must necessarily be made in the dark, but the selection of the suit will often depend on the trump, and whether it was named by the dealer or by his partner. If the dealer has made it red, and A has the A K of any plain suit, he should play the King, so as to retain the lead until Dummy’s hand is exposed. If the dealer passes it to his partner, he is probably weak in red. If Y makes it hearts, A should lead a supporting diamond, unless he has strength in another suit. If Y has made it diamonds, A should lead a supporting heart. But in either case, if A has in his hand such cards as A K, even of a black suit, he should play the King, and wait to see the Dummy’s hand. If Y has made it black, A must be guided by his own cards, but should give a red suit the preference for his opening lead.
_ Folk-lore Society Publications. CARMARTHENSHIRE-- Beddgelert Mrs. Williams. LIST OF GAMES ACCROSHAY. All-hid. All a Row. All in the Well. All the Birds in the Air. All the Boys in our Town. All the Fishes in the Sea.