If an adversary revokes, they score honours only, and the declarer may either take the 100 points, or he may take three actual tricks and add them to his own. If he takes the tricks, they may aid him in fulfilling his contract, as the score is then made up as the tricks lie, but the declarer will not be entitled to any bonus in case he was doubled. Suppose Z is the declarer, and is playing three hearts doubled. He wins the odd trick only, but detects a revoke, for which he takes three tricks. This gives him four by cards, doubled, worth 64 points toward game, but he does not get any bonus for making his contract after being doubled, or for the extra tricks, because they were taken in penalty and not in play. _=Exposed Cards.=_ After the deal but before the winning declaration is settled, if any player exposes a card his partner is barred from bidding or doubling, and the card is subject to call. Should the partner of the offending player prove to be the leader to the first trick, the declarer may prohibit the initial lead of the exposed suit. All cards exposed by the declarer’s adversaries after the original lead are liable to be called and must be left on the table, face upward. Exposed cards are those played two at a time, dropped on the table face up, or so held that the partner might see them, or cards mentioned as being in the hand of the player or his partner.
The pone will ask the dealer how many points he has marked, knowing perfectly well that the number is three. On being so informed, he concludes to ask for cards, as if he were not quite strong enough to risk the game by standing; when as a matter of fact he wants five cards, and is afraid of the vole being made against him. There are many simple little tricks practiced by the would-be sharper, such as watching how many cards a player habitually cuts, and then getting the four Kings close together in such a position in the pack that one of them is almost certain to be turned. Telegraphic signals between persons on opposite sides of the gallery who are nevertheless in partnership, are often translated into advice to the player, to his great benefit. Besides these, all the machinery of marked cards, reflectors, shifted cuts, wedges, strippers, and false shuffles are at the command of the philosopher, who can always handle a small pack of cards with greater freedom, and to whom the fashion of dealing in twos and threes is always welcome. The honest card-player has not one chance in a thousand against the professional at Écarté. _=SUGGESTIONS FOR GOOD PLAY.=_ The French claim that any person may become an expert at a game like Piquet, simply by dint of long practice; but that the master of Écarté must be a born card-player, as no game requires in such degree the exercise of individual intelligence and finesse. While this may be true, there are many points about the game which may be learned by the novice, and which will greatly improve his play. There are two things which the beginner should master before sitting down to the table for actual play: the hands on which it is right to stand, or play without proposing, and those with which it is right to refuse, or play without giving cards.
If either player has too few cards, the pone may demand a new deal, or may allow the dealer to supply the deficiency from the top of the stock. If any card is found exposed in the pack, there must be a new deal. If a card faced in the stock is not discovered until the first trick has been played to by the dealer, the exposed card must be turned face down, without disturbing its position. If the pack is found to be imperfect, the deal in which it is discovered is void; but all previous scores and cuts made with that pack stand good. In all misdeals the same dealer deals again. _=METHOD OF PLAYING.=_ After the trump is turned, the pone begins by leading any card he pleases. The second player is not obliged to follow suit, nor to trump; but may renounce or trump at pleasure until the stock is exhausted, after which the method of play undergoes a change. If the second player follows suit in any trick, the higher card wins. Trumps win plain suits.
We did at last contrive to do so; we invented what we call the melee, and our revised rules in the event of a melee will be found set out upon a later page. They do really permit something like an actual result to hand-to-hand encounters. They abolish Horatius Cocles. [Illustration: The war game in the open air] [Illustration: Fig. 1--Battle of Hook s Farm. General View of the Battlefield and Red Army] We also found difficulties about the capturing of guns. At first we had merely provided that a gun was captured when it was out of action and four men of the opposite force were within six inches of it, but we found a number of cases for which this rule was too vague. A gun, for example, would be disabled and left with only three men within six inches; the enemy would then come up eight or ten strong within six inches on the other side, but not really reaching the gun. At the next move the original possessor of the gun would bring up half a dozen men within six inches. To whom did the gun belong? By the original wording of our rule, it might be supposed to belong to the attack which had never really touched the gun yet, and they could claim to turn it upon its original side.
My elbow, my elbow, My pitcher and my can; Isn t ---- A nice young gell? Isn t ---- As nice as her-- They shall be married with a guinea-gold ring. I peep d through the window, I peep d through the door, I seed pretty ---- A-dancin on the floor; I cuddled her an fo dled her, I set her on my knee; I says pretty ---- Won t [ëe?] you marry me. A new-swept parlour, An a new-made bed, A new cup and saucer Again we get wed. If it be a boy, he shall have a hat, To follow with his mammy to her na , na , na ; If he be a gell, she shall have a ring, To follow with her mammy to her ding, ding, ding. --Wakefield (Miss Fowler). (_c_) The more general way of playing this game is to form a ring of children simply. The children walk round singing the verse as in the Belfast version, and when the last line is sung, the child whose name is mentioned turns round, facing the outside of the ring and having her back to the centre. She continues to hold hands with the others, and dances round with them in that position. This is repeated until all the children have turned their backs to the inside of the ring. Here the game ends in many cases, but another verse is sung in the Lincoln, Winterton, and Wakefield versions from Miss Peacock, and this was sung also in the London version.
We have a replacement for you here. Here s your ticket for Lake Tahoe, he added, holding out an envelope from a travel agency. I m staying here, Maragon, I said. I m a TK surgeon. I m all through tipping dice. You may not find it practical, he said, getting up to leave. Well, I hadn t. Three snakes inside my head had made me a sucker for the real one on my arm. Maragon had made his point. I might have reached the thirty-third degree, but I wasn t quite as big a shot as I thought I was.
_=TRAYS.=_ When any apparatus is used for holding the cards, such as trays, boxes, or envelopes, each player puts his 13 cards in the compartment provided for them. Each tray has a mark upon it, usually an arrow, showing which end of the tray should point toward a given direction, usually the North. The pocket into which the dealer’s cards go is marked “dealer,” and it is usual to provide a trump slip for each tray. When the hand is first dealt, the trump is recorded on this slip, which travels round the room with the tray. After the dealer has turned up the designated trump, he places the trump slip in the tray, face down. When the play of the hand is finished and the cards replaced in the tray, the dealer puts his trump slip on the top of his cards. The four hands can then be conveniently carried or handed to any other table to be overplayed. [Illustration: VARIOUS APPARATUS FOR DUPLICATE.] _=SCORING.
| -- | -- | -- | |11.| -- | -- | -- | |12.|One and a hush, two |One of you rush, two | -- | | |and a rush. |may rush. | | |13.| -- | -- |Give a silver pin for | | | | |a golden ring. | |14.|Please, young lady, |Please, old woman man,|Pray, young lady, pop | | |come under my bush. |creep under the bush. |under.
The ring of children then sing-- O no, not until my dearest I see, And then one chair will do for we. Then all sing-- My elbow, my elbow, My pitcher, and my can: Isn t ---- ---- a nice young girl? Mentioning the supposed sweetheart. Isn t ---- ---- as nice as she? Mentioning the outside child. They shall be married when they can agree. Then the inside and outside children each choose a companion from the circle, and the rest repeat:-- My elbow, my elbow, &c. When the words have been sung a second time, the four children kiss, and the two from the circle take the places of the other, after which change the game begins again.--North Kelsey, Lincolnshire (Miss M. Peacock). Knor and Spell See Nur and Spell. Lab A game of marbles (undescribed).
=_ If any of the three persons holding cards finds he has a point of 8 or 9, it must be shown at once, and the two other hands are then exposed. If the banker has 8 or 9, and neither of the others has so many, the bank wins everything on the table. If either player has more than the banker, all the bets on that side of the table must be paid. If either player has as many as the banker, all the bets on that side of the table are a stand-off. If either player has less than the banker, all the bets on that side of the table are lost. If a player wrongly announces 8 or 9, he cannot draw cards unless his point was 10 or 20. _=Drawing.=_ If none of the three can show 8 or 9, the banker must offer a card to the player on his right. The card must be slipped off the pack and offered face down. If the player on the right refuses, it is offered to the player on the left, and if he also refuses, the banker must take it himself.
Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is starching, O starching, O starching, O Jenny is starching, And you can t see her now. Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is ironing, O ironing, O ironing, O Jenny is ironing, And you can t see her now. Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is ill, O ill, O ill, O Jenny is ill, And you can t see her now. Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is dying, O dying, O dying, O Jenny is dying, And you can t see her now. Very well, ladies, ladies, ladies, Very well, ladies, and gentlemen too. We ve come to see Jenny Jones, Jenny Jones, Jenny Jones, We ve come to see Jenny Jones, And how is she now? O Jenny is dead, Is dead, is dead, O Jenny is dead, And you can t see her now.
Being all in one hand does not increase their value. ------------------------------------+-----+-----+-----+-----+ The Bid. | ♠ | ♣ | ♢ | ♡ | ------------------------------------+-----+-----+-----+-----+ Five tricks alone, or partners’ 8 | 4 | 8 | 12 | 16 | Three honours | 3 | 6 | 9 | 12 | Four honours | 4 | 8 | 12 | 16 | Each extra trick | 1 | 2 | 3 | 4 | ------------------------------------+-----+-----+-----+-----+ Six tricks, or petite independence | 6 | 12 | 18 | 24 | Three honours | 4 | 8 | 12 | 16 | Four honours | 6 | 12 | 18 | 24 | Each extra trick | 2 | 4 | 6 | 8 | ------------------------------------+-----+-----+-----+-----+ Eight tricks, or grand independence | 8 | 16 | 24 | 32 | Three honours | 6 | 12 | 18 | 24 | Four honours | 8 | 16 | 24 | 32 | Each extra trick | 4 | 8 | 12 | 16 | ------------------------------------+-----+-----+-----+-----+ Petite misère | 16 | 32 | 48 | 64 | Grand misère | 32 | 64 | 96 | 128 | Misère de quatre as | 32 | 64 | 96 | 128 | Misère sur table | 64 | 128 | 192 | 256 | Slam à deux (partners) | 50 | 100 | 150 | 200 | Slam seul (alone) | 100 | 200 | 300 | 400 | Slam sur table | 200 | 400 | 600 | 800 | ------------------------------------+-----+-----+-----+-----+ RUSSIAN BOSTON. This is a variation of Boston de Fontainbleau. A player holding carte blanche declares it before playing, and receives ten counters from each of the other players. Carte blanche is the same thing as chicane in Bridge, no trump in the hand. But in Bridge the player is penalized for announcing it until after the hand is played. The order of the suits is the same as in American Boston de Fontainbleau: diamonds, hearts, clubs, and spades. When a player bids six, seven, or eight tricks, he is supposed to be still willing to take a partner, unless he specifies solo. When a partner accepts him, the combination must make four tricks more than the original proposal.
Foster’s Bridge Manual, by R.F. Foster, 1900. Foster on Bridge, by R.F. Foster, 1900. The Bridge Manual, by John Doe, 1900. Bridge Abridged, by W. Dalton, 1901. Elwell on Bridge, by J.
NACKS. Namers and Guessers. Neighbour. Neivie-nick-nack. Nettles. New Squat. Nine Holes. Nine Men s Morris. Nip-srat-and-bite. Nitch, Notch, No-Notch.