|together. | | 38.| -- | -- | -- | | 39.| -- | -- | -- | | 40.| -- | -- | -- | | 41.| -- | -- | -- | | 42.| -- | -- | -- | | 43.| -- | -- | -- | | 44.| -- | -- | -- | | 45.| -- | -- | -- | | 46.
11 would be as follows, supposing the white Queen to arrive from K8 in the first place:-- _White._ _Black._ 1. Q-B 6, ch Q-Kt 2 Q-B 6, ch Or this; 1. --------- 2. Q-K 8, ch Q-Kt’s Q-Kt 2 When the abbreviation “ch.” is placed after a move, it means “check.” If it is a mate, or a drawn game, or the player resigns, the word follows the move. When the King castles with the King’s Rook, which is the shorter move for the Rook, it is indicated by the sign O-O. When the King is castled with the Queen’s Rook, which is the longer move for the Rook, the sign O-O-O is used.
Freeborough has devoted an entire volume to this ending, which may be very much prolonged by a skilful player. The object is to drive the King to the edge of the board, and then to get the Rook in such a position that it must be sacrificed to save the mate, or that the mate can be accomplished with the Rook on the board. The player with the Queen must be on his guard against stale-mate in this ending. K and Q against K and B, K and Kt, or K and P. This is easy enough for the Queen if the player is careful to avoid stale-mate. K and two R’s against K and R. This can be won easily by forcing an exchange of Rooks. K and two B’s against K. In this position the King must be ruled off into a corner by getting the Bishops together, protected by their King. Start with the men in the following position:-- Black K on his own square.
QUINZE. This is a form of Vingt-et-un for two players, but the number to be reached is 15 instead of 21. Court cards are reckoned as 10, and the ace as 1 only. Each player stakes an agreed amount every time, and the dealer then gives one card to his adversary and one to himself. The pone may stand on the first card, or draw; but he does not say anything if he overdraws. The dealer then draws or stands, and both show their cards. The one nearest to 15 wins; but if the result is a tie, or if both have overdrawn, the stakes are doubled, and another hand is dealt, the deal passing from player to player in rotation. BACCARA. This very popular variation of Vingt-et-un originated in the south of France, and came into vogue during the latter part of the reign of Louis Philippe. It is neither a recreation nor an intellectual exercise, but simply a means for the rapid exchange of money, well suited to persons of impatient temperament.
If he wishes to exchange, he must place his five cards face upward on the table, and take up the widow, but without showing it to any other player. The hand he abandons then becomes the widow. If he prefers to draw to his hand, he says: “_=I pass=_,” which transfers to the next player the option of taking the widow. If he wishes to stand on the merits of the hand dealt to him, without drawing to it, he _=knocks=_ on the table, which also passes the option of taking the widow to the next player on his left. If any player takes the widow, the next player on his left can do any one of three things: He may discard from his own hand any card he pleases, taking one from the widow in its stead; the card which he discards being placed on the table face upward, and becoming part of the widow; or he may exchange his entire hand for the widow; or he may stand on the hand dealt him, and knock. Whether he draws one card, exchanges his entire hand, or knocks, the next player on his left has the option of drawing, exchanging, or knocking; and so on, until some player does knock. Should no player take the widow until it comes to the dealer’s turn, he must either take it, or turn it face upward on the table. Even if the dealer knocks, he must turn up the widow, and allow each player an opportunity to draw from it, or to exchange his entire hand for it. When a player knocks, he signifies that no matter what the players following him may do, when it comes to his turn again the hands must be shown. A player cannot draw and knock at the same time; but a player can refuse to draw or exchange after another player has knocked, not before.
A Near View of the Blue Army] [Illustration: Fig. 3--Battle of Hook s Farm. Position of both Armies after first move.] (3) The subsequent moves after the putting down are timed. The length of time given for each move is determined by the size of the forces engaged. About a minute should be allowed for moving 30 men and a minute for each gun. Thus for a force of 110 men and 3 guns, moved by one player, seven minutes is an ample allowance. As the battle progresses and the men are killed off, the allowance is reduced as the players may agree. The player about to move stands at attention a yard behind his back line until the timekeeper says Go. He then proceeds to make his move until time is up.
... It was a game crying aloud for improvement. Improvement came almost simultaneously in several directions. First there was the development of the Country. The soldiers did not stand well on an ordinary carpet, the Encyclopedia made clumsy cliff-like cover , and more particularly the room in which the game had its beginnings was subject to the invasion of callers, alien souls, trampling skirt-swishers, chatterers, creatures unfavourably impressed by the spectacle of two middle-aged men playing with toy soldiers on the floor, and very heated and excited about it. Overhead was the day nursery, with a wide extent of smooth cork carpet (the natural terrain of toy soldiers), a large box of bricks--such as I have described in Floor Games--and certain large inch-thick boards. It was an easy task for the head of the household to evict his offspring, annex these advantages, and set about planning a more realistic country. (I forget what became of the children.
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[Illustration: First cut is:-- 🂥 🃘 🃋 🂷 🃞 🃈 Second cut is:-- 🂴 🃒 ] The 5 and 7 have the first and second choice of seats; the 2 and 4 the third and fourth choice. _=PLAYERS’ POSITIONS.=_ There are only three distinctive positions at the poker table: the _=dealer=_; the _=pone=_; and the _=age=_. The pone is the player on the dealer’s right, and the age is the one on his left. _=STAKES.=_ Before play begins, or a card is dealt, the value of the counters must be decided, and a _=limit=_ must be agreed upon. There are four limitations in Draw Poker, and they govern or fix the maximum of the four principal stakes: the blind; the straddle; the ante; and the bet or raise. The _=blind=_ is the amount put up by the age before he sees anything, and should be limited to one white counter, as the blind is the smallest stake in the game. In some places it is permissible for the age to make the blind any amount he pleases within half the betting limit; but such a practice is a direct violation of the principles of the game, which require that the amount of the blind shall bear a fixed proportion to the limit of the betting. The _=straddle=_ is a double blind, sometimes put up by the player to the left of the age, and like the blind, without seeing anything.
SHUFFLING 26. The pack must neither be shuffled below the table nor so that the face of any card be seen. 27. The pack must not be shuffled during the play of the hand. 28. A pack, having been played with, must neither be shuffled by dealing it into packets, nor across the table. 29. Each player has a right to shuffle, once only, except as provided by Rule 32, prior to a deal, after a false cut [_see_ Law 34], or when a new deal [_see_ Law 37] has occurred. 30. The dealer’s partner must collect the cards for the ensuing deal, and has the first right to shuffle that pack.
See also Halliwell s _Dictionary_. Eller Tree A number of young men and women stand in a line, a tall girl at one end of the line representing the tree. They then begin to wrap round her, saying, The old eller tree grows thicker and thicker. When they have all got round her (the tree), they jump all together, calling out, A bunch of rags, a bunch of rags, and try to tread on each other s toes.--Sheffield, Yorks (S. O. Addy). (_b_) The tree is the alder. It abounds in the North of England more than in any other part of the kingdom, and seems always to have been there held in great respect and veneration. Many superstitions also attach to the tree.
He then asks each of the circle in turn, Where s the key of the park? and is answered by every one, except the last, Ask the next-door neighbour. The last one answers, Get out the way you came in. The centre one then makes a dash at the hands of some of the circle, and continues to do so until he breaks through, when all the others chase him. Whoever catches him is then Bull.--Liphook, Hants (Miss Fowler). The Bull in the Barn is apparently the same game. The players form a ring; one player in the middle called the Bull, one outside called the King. Bull: Where is the key of the barn-door? Chorus: Go to the next-door neighbour. King: She left the key in the church-door. Bull: Steel or iron? He then forces his way out of the ring, and whoever catches him becomes Bull.
If A then closed or played on without closing, B might win one of the marriage cards with the Ten, and not only get out of schneider, but reach 66 in plain suits before A could win another trick. On the same principle, a player may think he can reach 66 before his adversary can win a trick, provided he can compel him to follow suit. With two plain-suit Aces and the royal marriage, the pone would close before playing to the first trick, trusting to catch at least 4 points with his two aces, and then to show the marriage, making his adversary schwartz. Some judgment is necessary in deciding whether or not to draw before closing. If a player is allowed to draw, he may get a trump, or a guard to one that you suspect he has. Suppose he has exchanged the Nine for the Ten, and you have Ace and royal marriage; it is very likely that the Ten is unguarded, and if you close without drawing you may catch it, which will make your three trumps alone good for 68. This also shows that the player should not have taken up the Ten until he wanted to use it. Nothing is gained by closing, except compelling the adversary to follow suit; because if you close to make him schwartz, and he gets a trick, you count two only; if you close to make him schneider, and he gets out, you count one only. If you fail in the first case, he counts three, and any failure will give him two points. THREE-HANDED SIXTY-SIX.
He was a jolly, jolly sailor boy, Who had lately come ashore; He spent his time in drinking wine As he had done before. Then we will have a jolly, jolly whirl, Then we will have a jolly, jolly whirl, And he who wants a pretty little girl Must kiss her on the shore. --Forest of Dean, Gloucestershire (Miss Matthews). III. Here comes one jolly sailor, Just arrived from shore, We ll spend our money like jolly, jolly joes, And then we ll work for more. We ll all around, around and around, And if we meet a pretty little girl We ll call her to the shore. --Northants (Rev. W. D. Sweeting).
204-210. The question is, How does this theory of the origin of the game fit in with the term Nuts in May ? I attribute this to the gathering by parties of young men of bunches of May at the May festivals and dances, to decorate not only the Maypole, May kissing-bush, but the doors of houses. Knots of May is a term used by children, meaning bunches of May. Thus, a note by Miss Fowler in the MS. of the games she had collected says, In Bucks the children speak of knots of May, meaning each little bunch of hawthorn blossom. The gathering of bunches of May by parties of young men and maidens to make the May-bush round which the May Day games were held, and dancing and courting, is mentioned by Wilde (_Irish Popular Superstitions_, p. 52), the game being Dance in the Ring. Holland (_Cheshire Glossary_) says, May birches were branches of different kinds of trees fastened over doors of houses and on the chimney on the eve of May Day. They were fastened up by parties of young men who went round for the purpose, and were intended to be symbolical of the character of the inmates. I remember one May Day in London, when the May girls came with a garland and short sticks decorated with green and bunches of flowers, they sang-- Knots of May we ve brought you, Before your door it stands; It is but a sprout, but it s well budded out By the work of the Lord s hands, and a Miss Spencer, who lived near Hampton (Middlesex), told me that she well remembered the May girls singing the first verse of this carol, using knots instead of the more usual word branch or bunch, and that she knew the small bunch of May blossom by the name of knots of May, bringing in knots of May being a usual expression of children.