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As it is very important that the hand which is longer in the suit should be able to lead it without interruption when it is established, good players make it a rule always to _=play the high cards from the shorter hand=_ first, so as to get out of the way. With Q 10 and three others in one hand, K J and one other in the other hand, the play is the K and J from the short hand, keeping the Q 10 in the long hand. If there is any choice, that suit should be selected which contains the longest sequence, or the sequence with the fewest breaks. It should be noticed that the sequence need not be in one hand; for it is almost as valuable if divided, and it is especially advantageous to have the higher cards concealed in the declarer’s hand. Its continuity is the chief point. For instance: Declarer and Dummy hold between them one suit of K J 9 7 5 4 3, and another of Q J 10 9 8 7 5. The latter should be selected, because two leads must establish it. In establishing a long suit it is very important to note the fall of the missing cards in the sequences. In the first of the two combinations just given, the declarer should be as careful to watch for the fall of the 8 and 6 as for the A Q and 10. _=Leading.

But of all people, I could least afford to sneer at the power of Psi. For the first time, I guess, I realized the awful helplessness that comes over the Psiless when a TK invokes his telekinetic power. I wanted no part of the future this corn-fed oracle had conjured up. But it might be the only future I d ever have. I tried to recall her looks. Thinking about them, they really added up to no more than hysterical sniffles, not enough to eat, and the pathetic evidence that there hadn t been any money for orthodonture. Fatten her up, straighten her teeth and--Talk about _religious_ rationalization! I snapped out of it. Maybe she could call the turn of dice. But I d be damned if she could call the turn of people. Let her try _me_.

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And now you lost. You lost! Her perfume was cheap, but generous, and pretty well covered up her need for a bath. There s some left, I told her. Show me how. She hugged my arm to her skinniness. That s all any of the hustlers ever want--to get their hands on your chips. They figure some of them will stick to their fingers. The gambler next to me had won a dollar bet without my help. He acted mighty glad for a win--maybe it was a while since he d hit it. I decided to give him a run of luck.

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See Hap the Beds. Hop, Step, and Jump See Half-Hammer. Hornie A game among children in which one of the company runs after the rest having his hands clasped and his thumbs pushed out before him in resemblance of horns. The first person whom he touches with his thumbs becomes his property, joins hands with him, and aids in attempting to catch the rest: and so on until they are all made captives. Those who are at liberty still cry out, Hornie, Hornie. --Lothian (Jamieson). Jamieson says: Whether this play be a vestige of the very ancient custom of assuming the appearance and skins of animals, especially in the sports of Yule, or might be meant to symbolise the exertions made by the devil (often called Hornie ) in making sinful man his prey, and employing fellow-men as his coadjutors in this work, I cannot pretend to determine. See Hunt the Staigie, Whiddy. Hornie Holes A game in which four play, a principal and an assistant on each side. A.

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[Annie] with her rosy cheeks, Catch her if you can, And if you cannot catch her I ll tell you who s the man. [Annie] made a pudding, She made it very sweet; She daren t stick a knife in Till George came home at neet [night]. Taste [George], taste, and don t say Nay! Perhaps to-morrow morning ll be our wedding day. [The bells shall ring, and we shall sing, And all clap hands together.][2] --Earls Heaton (Herbert Hardy). (_b_) A full description of this game could not be obtained in each case. The Earls Heaton game is played by forming a ring, one child standing in the centre. After the first verse is sung, a child from the ring goes to the one in the centre. Then the rest of the verses are sung. The action to suit the words of the verses does not seem to have been kept up.