The one who first gets the 100 (or other number) now goes in for his pizings, which performance takes place thus:--The loser, so far, is lying about, and the winner goes back to drakes, and again tries to lodge in the hole; and if he succeeds, the game is up. If not, he lies still, and the loser tries for the hole; if he gets in he counts another 10, or if he should succeed in hitting the winner he scores his adversary s 100 to his own number, and then goes on for his pizings as the other had done. In failure of either securing the game thus, the process is repeated at drakes. When, however, the one who is on for his pizings manages to taw into the hole, the game is concluded.--Easther s _Almondbury and Huddersfield Glossary_. Hunt the Hare A game among children, played on the ice as well as in the fields (Brockett s _North Country Words_). Strutt (_Sports_, p. 381) says Hunt the Hare is the same game as Hunt the Fox. In this game one boy is permitted to run out, and having law given to him--that is, being permitted to go to a certain distance from his comrades before they pursue him--their object is to take him, if possible, before he can return home. See Hare and Hounds.
If any adversary of a misère player leads out of turn, or exposes a card, or plays before his proper turn in any trick, the bidder may at once claim the pool and stakes. In all such cases it is usual for the individual in fault to pay a forfeit of four red counters toward the next pool. In Misère Partout, there is no penalty for cards played in error, or led out of turn. _=PAYMENTS.=_ If the caller succeeds in winning the proposed number of tricks, he is paid by each of his adversaries according to the value of his bid, and the number of over-tricks he wins, if any. The various payments are shown in this table:-- ------------------------+------------------------------------------- Number of tricks bid by | Number actually taken by him. player. +----+----+----+----+----+----+----+----+--- | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 ------------------------+----+----+----+----+----+----+----+----+--- Five | 12 | 12 | 13 | 13 | 14 | 14 | 14 | 15 | 15 Six | | 15 | 16 | 16 | 17 | 18 | 19 | 20 | 20 Seven | | | 18 | 20 | 21 | 22 | 23 | 24 | 26 Eight | | | | 23 | 24 | 26 | 28 | 29 | 31 Nine | | | | | 32 | 34 | 36 | 39 | 41 Ten | | | | | | 42 | 45 | 48 | 52 Eleven | | | | | | | 63 | 68 | 72 Twelve | | | | | | | |106 |114 Thirteen | | | | | | | | |166 ------------------------+----+----+----+----+----+----+----+----+--- The American system is not to pay the successful bidder for any over-tricks. This is to make him bid up his hand, and to save time; as hands need not be played out when the bidder has made or can show the number of tricks bid. Tricks bid | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | ------------+----+----+----+----+----+----+----+-----+-----+ Amount.
| -- | -- | -- | |18.|Sweetheart is dead. |True love is dead. |True love is dead. | |19.| -- | -- | -- | |20.| -- | -- | -- | |21.| -- | -- | -- | |22.| -- | -- | -- | |23.|He sent letter to turn|He sent letter to turn|He sent letter to turn| | |your head.
F. Foster, 1910. Advanced Auction Bridge, by R.F. Foster, 1911. Auction Bridge, by “Bascule,” 1911. New Auction and Dummy Play, by J.B. Gleason, 1912. Fine Points of Bridge, by Florence Irwin, 1912.
| | |21.| -- | -- |Choose the fairest | | | | |daughter. | |22.| -- | -- | -- | |23.|I ve sent letter to |[He sent letter to | -- | | |turn your head. |turn back your head.] | | | | |(After No. 25.) | | |24.| -- | -- | -- | |25.
So far as the mere winning and losing goes, the result depends largely upon luck, and skill is of small importance. Except in a long series of games the average player has little to fear from the most expert. _=CARDS.=_ Napoleon is played with a full pack of fifty-two cards, which rank A K Q J 10 9 8 7 6 5 4 3 2; the ace being highest in play; but ranking below the deuce in cutting. _=COUNTERS.=_ As each deal is a complete game in itself it must be settled for in counters, to which some value is usually attached. One player is selected for the banker, and before play begins each of the others purchases from him a certain number of counters, usually fifty. When any player’s supply is exhausted, he can purchase more, either from the banker or from another player. In many places counters are not used, and the value of the game is designated by the coins that take their place. In “penny nap,” English coppers are used in settling; sixpences in “sixpenny nap,” and so on.
Poor Jenny Jones is drying, you can t see her. We ve come to see poor Jenny Jones. Poor Jenny Jones is starching, you can t see her. We ve come to see poor Jenny Jones. Poor Jenny Jones is ironing, you can t see her. We ve come to see poor Jenny Jones. Poor Jenny Jones is dead, you can t see her. What shall we follow, in red, blue, or black? Red s for the soldier, blue for the sailor, Black for the dead. --Enborne School, Berks (Miss M. Kimber).
The other player brings a slipper to the Chief Cobbler, and desires it to be mended, saying-- Cobbler, cobbler, mend my shoe, Get it done by half-past two. The child walks away, and returns in a few moments and asks whether the shoe is ready. The Cobbler says, Not quite; call again in an hour s time, or makes any other excuse which occurs to him. When the child calls again, she is told it has been sent home. After several pretences the child declares an intention to search for it. The Cobblers in the ring then all place their hands under their knees, and pass the slipper secretly from one to another in such a way as to prevent the owner of the shoe getting it for some time. The Cobbler from whom the slipper is taken becomes the owner next time (Barnes, A. B. Gomme). In the Nottinghamshire version (Miss Peacock) the rhyme is-- Cobbler, cobbler, mend my shoe, Give it a stitch and that will do.