III. Here comes an old woman from Baby-land, With all her children in her hand. Pray take one of my children in. [Spoken] What can your children do? [Sung] One can bake, one can brew, And one can bake a lily-white cake. One can sit in the parlour and sing, And this one can do everything. --Tong, Shropshire (Miss R. Harley). IV. Here comes a poor woman from Baby-land With three small children in her hand. One can brew, the other can bake, The other can make a pretty round cake.
| -- | -- |My fair lady. | |10.| -- |With a gay lady. | -- | |11.|Where I d be. | -- | -- | |12.| -- |How shall we build it | -- | | | |up again? | | |13.|Stones and lime will | -- |Build it up with | | |build it up. | |bricks and mortar. | |14.
If you have to decide between two combinations, one of which you must sacrifice, lead that which is of the smallest value, or the least likely to be restored. For instance: If your adversary has shown one or two Kings, but no Ace, and you have three of each, you are more likely to get 100 Aces than 80 Kings. If you hold duplicate cards, especially in trumps, play the one on the table, not the one in your hand. _=Brisques.=_ Beginners often overlook the importance of brisques. Every time you allow your adversary to take in a brisque which you might have won, you make a difference of twenty points in the score. While you are hugging three Aces, waiting for a fourth, your adversary may get home all his Tens, and then turn up with your fourth Ace in his hand. _=Discarding.=_ It is usually best to settle upon one of two suits or combinations, and to discard the others, for you cannot play for everything. Having once settled on what to play for, it is generally bad policy to change unless something better turns up.
=_ It may have to be postponed. Ten. Success in business. If followed by ♢ 9, the note will not be paid when it is due; if followed by the ♠ 9 you will lose the entire account. Nine. Success in love. Eight. Great anticipations. Seven. Trifling love affairs.
This detail is also used by the Northants and Barnes children, the version of whose game is very like the Southampton one. On the whole, the analysis would suggest that there has been a game played by the children of both England and Scotland, the leading incidents of which have been varied in accordance with the conditions of life. Mr. Napier (_Folk-lore Record_, iv. 474), in his description of the West Scotland example, evidently considered the game to be thoroughly representative of Scottish life, and this, indeed, seems to be the most striking feature of the game in all the variants. The domestic economy which they reveal is in no case out of keeping with the known facts of everyday peasant life, and many a mother has denied to her child s friends the companionship they desired because of the work to be done. In most cases the burden of the song rests upon the question of health, but in two cases, namely, Colchester and Deptford, the question is put as to where Jenny Jones is at the time of the visit. It is curious that the refrain of Farewell, ladies, should appear in such widely separated districts as Scotland, Northamptonshire, Norfolk, Middlesex, Hants, Lincoln, and Barnes. With reference to the colours for mourning, there is an obvious addition of crape introduced into the Deptford version which is very suggestive of the decadence going on. The four colours used in most versions are red, blue, white, and black, colours which have been known to the people from ancient times.
[Music] --Earls Heaton (H. Hardy). [Music] --London (A. B. Gomme). I. Isabella, Isabella, Isabella, Farewell! Last night when we parted I left you broken-hearted, And on a green mountain, There stands a young man. Could you love him? Could you love him? Could you love him? Farewell! Choose one, love, Choose one, love, Choose one, love, Farewell! Take a walk, love, Take a walk, love, Take a walk, love, Farewell! In the ring, love, In the ring, love, In the ring, love, Farewell! Put the ring on, Put the ring on, Put the ring on, Farewell! Go to church, love, Go to church, love, Go to church, love, Farewell! Take a kiss, love, Take a kiss, love, Take a kiss, love, Farewell! Shake hands, love, Shake hands, love, Shake hands, love, Farewell! --Enborne, Newbury (M. Kimber). II.
Build it up with iron and steel, Dance o er my lady lee, Build it up with iron and steel, With a gay lady. Iron and steel will bend and bow, Dance o er my lady lee, Iron and steel will bend and bow, With a gay lady. Build it up with wood and clay, Dance o er my lady lee, Build it up with wood and clay, With a gay lady. Wood and clay will wash away, Dance o er my lady lee, Wood and clay will wash away, With a gay lady. Build it up with stone so strong, Dance o er my lady lee, Huzza! twill last for ages long, With a gay lady. --[London][5] (Halliwell s _Nursery Rhymes_, clii.). III. London Bridge is broaken down, Is broaken down, is broaken down, London Bridge is broaken down, My fair lady. Build it up with bricks and mortar, Bricks and mortar, bricks and mortar, Build it up with bricks and mortar, My fair lady.
Rise up, rise up, poor Mary Brown, To see your dear sweetheart go through the town. I will rise, I will rise up from off the ground, To see my dear sweetheart go through the town. --Barnes, Surrey (A. B. Gomme). II. Rise up, rise up, Betsy Brown, To see your father go through the town. I won t rise up upon my feet, To see my father go through the street. Rise up, rise up, Betsy Brown, To see your mother go through the town. I won t rise up upon my feet, To see my mother go through the street.
This game is a great favourite with card-sharpers, especially on ocean steamers. They use packs in which the cards are trimmed long and short, so that a confederate may cut them by the ends or by the sides for high or low cards, afterward pushing one of the high cuts toward the dealer. CHINESE FAN TAN. This is apparently the fairest of all banking games, there being absolutely no percentage in favour of the banker except that the players have to do the guessing. The one who is willing to put up the largest amount of money to be played for is usually selected as the banker. He is provided with a large bowlful of beans, counters, buttons, small coins, or some objects of which a large number of similar size and shape can be easily obtained. An oblong card is placed in the centre of the table, and the players stake their money upon its corners or upon its edges. These corners are supposed to be numbered in rotation from 1 to 4, the figure 1 being on the right of the banker. A bet placed on any of the corners takes in the number it is placed upon and the next higher also; so that a bet upon the corner 1 would be upon the numbers 1 and 2; upon 2 it would be upon 2 and 3; and upon 4 it would be upon 4 and 1. [Illustration: +---------------+X |3 2| | | |4 1| +---------------+ ] In the illustration the bet would be upon 2 and 3.
He was a jolly, jolly sailor boy, Who had lately come ashore; He spent his time in drinking wine As he had done before. Then we will have a jolly, jolly whirl, Then we will have a jolly, jolly whirl, And he who wants a pretty little girl Must kiss her on the shore. --Forest of Dean, Gloucestershire (Miss Matthews). III. Here comes one jolly sailor, Just arrived from shore, We ll spend our money like jolly, jolly joes, And then we ll work for more. We ll all around, around and around, And if we meet a pretty little girl We ll call her to the shore. --Northants (Rev. W. D. Sweeting).
--Epworth, Doncaster; and Lossiemouth, Yorkshire (Charles C. Bell). (_b_) The children form a ring, joining hands, and dance round singing the two first lines. Then loosing hands, they waltz in couples, singing as a refrain the last line. The game is continued, different coloured ribbons being named each time. (_c_) This game was played in 1869, so cannot have arisen from the political movement. Baloon A game played with an inflated ball of strong leather, the ball being struck by the arm, which was defended by a bracer of wood.--Brand s _Pop. Antiq._, ii.
Chinnup A game played with hooked sticks and a ball, also called Shinnup. Same as Hockey. Chinny-mumps A school-boys play, consisting in striking the chin with the knuckles; dexterously performed, a kind of time is produced.--Addy s _Sheffield Glossary_. Chock or Chock-hole A game at marbles played by chocking or pitching marbles in a hole made for the purpose, instead of shooting at a ring (Northamptonshire, Baker s _Glossary_). Clare mentions the game in one of his poems. Chow A game played in Moray and Banffshire. The ball is called the Chow. The game is the same as Shinty. The players are equally divided.
=_ Some persons attach a great deal of importance to the odds for and against certain cards being in the Skat. If a player without three is forced to risk finding a Matadore in the Skat, it is usually enough for him to know that the odds are about 3 to 1 against it. It is much more important for him to consider what cards may make against him, and what they would count. It is often necessary to estimate very closely the number of points that must fall on a certain number of leads. For instance: You are Vorhand, and hold these cards:-- [Illustration: 🂫 🂻 🃋 🃞 🃝 🃙 🃘 🃗 🃇 🂧 ] Even if you find the Ace and Ten with the best Wenzel in one hand against you, you have an almost certain club Solo, for if you lead a Wenzel, your adversary must either take it, or give you the Ace or Ten. If he wins it, and his partner gives him a Ten of another suit, and they then proceed to make both the Aces and Tens of your weak suits, that will give them only 56 points, and you will make every other trick. The only thing that could defeat you is for one player on the fourth trick to lead a suit of which his partner had none. This would require one player to have all the spades and the other all the hearts, which is almost impossible. Another familiar example is the following: You are Vorhand with these cards:-- [Illustration: 🃛 🂫 🃑 🃚 🂡 🂪 🂸 🂷 🃈 🃇 ] Although you cannot possibly win more than six tricks, and must lose every trick in the red suits, you have an invincible Grand; because the adversaries have not a sufficient number of Fehlkarten to give you to avoid adding 16 points to the 46 you already have in your hand, which must make you 62 before they get a trick. It is better to bid on a doubtful Solo than on a risky Tourné, and if you have a choice of two numerically equal suits, it is better to bid on a suit containing small cards in preference to one containing A 10.
It would be a little better, but still very bad play, for him to discard the 8 and 6, leaving himself a sequence of four cards and a fifteen, 6 points altogether. He might do a little better by discarding the 10 and 8, leaving himself a run of four, and two fifteens, 8 points altogether. If he discards either the 10 and 9, or the 10 and 6, he will leave himself a double run of three, a pair, and two fifteens, 12 altogether. Of these two discards, that of the 10 and 6 is better than the 10 and 9, because the 10 and 9 might help to form a sequence in the adversary’s crib, whereas the 10 and 6 are so far apart that they are very unlikely to be of any use. Cards which are likely to form parts of sequences are called _=close cards=_, and those which are too widely separated to do so are called _=wide cards=_. _=METHOD OF PLAYING.=_ The crib laid out and the starter cut, the pone begins by playing any card he pleases. The card he selects he lays face upward on the table on his own side of the cribbage board, and at the same time announces its pip value; two, five, or ten, whatever it may be. It is then the dealer’s turn to play a card from his hand, which is also laid face upward on the table, but on the dealer’s side of the cribbage board. Instead of announcing the pip value of this second card, the dealer calls out the total value of the two cards taken together.
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_=5.=_ If he strikes while a ball is in motion, unless it has come to a rest, as provided in Sec. 10 on Foul Strokes. _=6.=_ If he plays with the wrong ball, except as provided in foregoing Law 10. _=7.=_ If the player touches the cue-ball more than once in any way, or hinders or accelerates it in any other way than by a legitimate stroke of the cue; or if, during a stroke or after it, he in any way touches, hinders, or accelerates an object-ball, except by the one stroke of the cue-ball to which he is entitled. _=8.=_ As touching any ball _in any way_ is a stroke, a second touch is a foul. _=9.
TWENTY-ONE POINT CASSINO. This game is usually marked with counters, or pegged on a cribbage board. Nothing is scored until the end of the hand, when each side reckons and claims its points. In order to avoid disputes there should be a previous understanding as to what points go out first in a close game. In the absence of any agreement to the contrary, the points count out in the following order:--Cards first, then Spades, Big Cassino, Little Cassino, Aces, and Sweeps. If the Aces have to decide it, the spade Ace goes out first, then clubs, hearts, and diamonds. If the sweeps have to decide it, only the difference in the number of sweeps counts, and if there is none, or not enough, the game is not ended, and another deal must be played. It is better to agree to _=count out=_ in twenty-one point Cassino; each player keeping mental count of the number of cards and spades he has taken in, together with any “natural” points. The moment he reaches 21 he should claim the game, and if his claim is correct he wins, even if his adversary has 21 or more. If he is mistaken, and cannot show out, he loses the game, no matter what his adversary’s score may be.